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...plane had been shot down inside Soviet airspace. "At no time was the plane closer to Soviet land territory than about 30 miles," said the U.S. But Nikita Khrushchev did not wait for any facts. He called a press conference. Some 300 correspondents, photographers and TV and newsreel cameramen jammed the Kremlin's newly air-conditioned Sverdlov Hall for the show. But this time Khrushchev's spy-plane story did not stand...

Author: /time Magazine | Title: THE COLD WAR: Nikita & the RB-47 | 7/25/1960 | See Source »

...bounce down the ramp all smiles. The scattered crowds on the streets to town barely outnumbered the 8,000 cops and nearly 1,000 plainclothesmen assigned to protect Khrushchev from Vienna's big refugee population. Since the Soviet press had already promised a "huge and joyous" reception, Soviet cameramen did what they could; they rounded up a loyal band of local Communists, herded them from stopping place to stopping place, scrambling about to shoot the same few faces from every possible angle. Though they dutifully reported in Pravda that "the center of Vienna has blossomed into smiles-the Schwarzenbergplatz...

Author: /time Magazine | Title: AUSTRIA: The Sandman | 7/11/1960 | See Source »

Masters of the Congo Jungle (International Scientific Foundation; 20th Century-Fox) is an anthropological documentary film that was sponsored by King Leopold III of Belgium and photographed in Ruanda-Urundi and the Congo by a team of German cameramen. It makes a sort of safari through the soul of primitive man. For most of the distance, a spectator is apt to have the disturbing sensation that he is traveling through an endless python...

Author: /time Magazine | Title: Cinema: The New Pictures, may 30, 1960 | 5/30/1960 | See Source »

...also museum curators and art critics. Director James J. Rorimer of the Met Museum agreed to hang the final selections as works of art. When the show opened, it was an immediate hit with gallerygoers-but the more successful it became, the more bitterness it aroused among some professional cameramen...

Author: /time Magazine | Title: Art: The Trials of Sir Galahad | 5/30/1960 | See Source »

...film begins with a vivid metaphor of love and death. A man and a woman lie in each other's arms in Hiroshima. Their bodies fill the screen in a luminous abstract of desire. But into this image of life burst images of death-recorded by Japanese cameramen who moved into Hiroshima the day after the bomb fell. Director Resnais permits himself no sensationalism, but the merest glimpses of the horror that was Hiroshima-acres of charred and moaning humanity-remind the audience with cruel force that the man and woman are making love in a mass grave...

Author: /time Magazine | Title: Cinema: Love in a Mass Grave | 5/16/1960 | See Source »

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