Word: cameras
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Dates: during 1930-1939
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...Juno Films). For the spectacular rise of the French cinema in the years before World War II, the men most responsible have been a handful of able directors. These directors usually did not develop special talent for the camera but made movies that attracted and used the seasoned acting personnel of the French theatre. For The End of a Day, a photographic plate recording with sharp sensitivity the emotional atmosphere of a home for retired actors, Director Julien Duvivier (Poil de Carotte, Un Cornet de Bal) recruited a cast that includes many a distinguished veteran of the Paris stage, headed...
...came is still a deep defense secret. But outspoken army camoufleurs turn thumbs down on dazzle. Their problem, they feel, is harder than outsmarting a periscope running ten to twelve feet above heaving wave-levels. They have to conceal parked tanks, trucks, grounded planes, big guns from modern aerial camera-eyes which can even pick out the curl of withered camouflage leaves from 3,000 feet...
...wings off the politicalboss's airplane); 2) rescued a pretty female reporter (by catching her in mid-air); 3) saved the life of a beautiful foreign princess (by sinking a submarine singlehanded) ; 4) foiled a plot on a king's life (by braining a bombster with a camera...
...Dewey rigorously followed Rules 5, 6, 7 of How To Become President (TIME, Nov. 24, 1930), by cooperating fulsomely with the Press, by traveling about, by appearing hale and lusty on all occasions. For the camera he let his mother pin a flower in his buttonhole; he vigorously strode up & down Owosso's Main Street; he posed chummily with Farmer Earl Putnam, who once paid him $30 a month to run a cultivator, do chores; he ate Mrs. Putnam's noonday "dinner" of home-cured ham, eggs, new potatoes, corn from the patch, fresh cherry pie. He played...
...fortune on a picture with Spencer Tracy that had to be junked, M.G.M. handed Hedy and Screenwriter Ben Hecht over to Producer Sam Zimbalist, fresh from Tarzan Finds A Son. Practical Mr. Zimbalist, correctly figuring that audiences would like a picture as much like Algiers as possible, let the camera eye ogle Lamarr's uncanny physical charms, duplicated Producer Wanger's feat of making the Lamarr torpidity seem exotic. Somewhat bowled over himself, Producer Zimbalist observed: "Hedy is just a nice girl, not at all vain, and a hard worker. She has a natural allure. ... If anything...