Word: cameras
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Dates: during 2010-2019
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...mount a presence? Opposition leader Mehdi Karroubi had announced an appearance at Sadeghiyeh Square, northwest of Azadi Square; CNN.com carried video of what appears to be a Karroubi supporter showing a scene of apparent protests before a hand or pair of hands attempts to cover the lens of the camera. Some reports allege that the Basij suppressed the Karroubi rally. Other protesters had planned to gather in Haft-e-Tir Square, northeast of Azadi. In addition, video circulated on opposition sites showing people tearing down government posters or chanting slogans in the subway. State-run television also mentioned small protests...
...women huddled outside the courthouse, it's the Haitian government that's on trial. Their speech becomes more emphatic as they assert that the government is treating the foreigners better than Haitian citizens, specifically when police officers cover the Americans' faces with jackets to shield them from the prying camera lenses. "If it was a Haitian, they would hit him over the head, not protect him," says Andrea Brezeau, 48. Tension over this preferential treatment erupted even among Haitian journalists. As Haitian police officers transferred the missionaries from a police vehicle to a jail cell, one Haitian female journalist threw...
...moving photography exhibit, entitled “IRAN: Images from Beneath a Chador,” will be on view through March 19. The photographer, Randy H. Goodman, happened to stop by while I was there and explained how she wound up, at age 24, armed with only a camera and a degree in political economy, documenting the Iran hostage crisis. Aside from this particular exhibit The Multicultural Arts Center is definitely worth a repeat visit as it hosts a plethora of exhibits and events including jazz concerts and dance performances...
...challenges. “We used a 50 foot techno crane with a ten foot platform,” says Green. “When the chair was moving, and the actors were speaking, that was hard. The ski mountain wouldn’t allow us to hang a camera on the chair, so we built this cherry picker bucket that we hung right in front of their chair. We couldn’t find anyone to get up in the bucket to shoot, so we shot it ourselves. That was one of the hardest parts...
According to psychoanalytic film critics, violence is a characteristic trait of photography and cinema, as evident in the very language of “aiming” a camera and “shooting” an image. Enmeshed in the sexual economy of the gaze, vision too exercises a system of control over women’s bodies. Positioning the self against an inassimilable (female) other, the eye serves as an explicit instrument of objectification and mastery. As feminist Luce Irigaray theorizes, the supremacy of looking over all other sensory experiences—hearing, smelling, tasting, touching?...