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...past, Miller has relied on handheld camera work to create a sense of intimacy. Here her cinematographer, Declan Quinn, spares us the shaking, but frequently slides the camera between adjacent sets. We travel from the bed one tousled blond woman (Suky) collapsed in a bed to another (Pippa), waking in another town and another decade. It's a neat trick to suggest life as a continuum - Pippa is ruled by guilt and a need to emulate her mother's happy "commercial" existence, aiming for perfection but without the pill popping - but it also represents what's going on in Pippa...

Author: /time Magazine | Title: Pippa Lee: Robin Wright Penn's Moment | 11/25/2009 | See Source »

...hard to imagine the movie succeeding without Wright Penn. She and Lively are both blond, blue-eyed and beautiful, but the resemblance stops there. Clearly, though, Wright Penn studied Lively's movements, because she uses various tricks, echoing her arched eyebrows or open, camera-ready smile, to make up the physical differences between them. It's a generous act - the more skilled actress reaching out to the younger for the sake of the character. Wright Penn has been in the public consciousness for more than 20 years (Buttercup!), but she herself has been something of an enigma. She seemed...

Author: /time Magazine | Title: Pippa Lee: Robin Wright Penn's Moment | 11/25/2009 | See Source »

This conversation was cut short by a Marine arriving with a camera to show the elders pictures of other candidates for reintegration. The contradiction about such candidates, like Khalik, is that the Marines would not release them if there was evidence linking them to an attack. So ostensibly, there is no need to "reintegrate" them at all. But the "re-integration agreement," which also contains a clause in which the signatory volunteers his biometric data, is part of the Afghan government's attempt to reconcile with the forces inimical to it. McCullough said that supporting the Afghan government was paramount...

Author: /time Magazine | Title: Can a 'Loyalty Oath' Ensure the Allegiance of Afghans? | 11/25/2009 | See Source »

Video by Finlay MacKay for TIME from a Red One digital camera. Set design by Gille Mills; shot at Pier 59 Studios...

Author: /time Magazine | Title: The '00s: Goodbye (at Last) to the Decade from Hell | 11/24/2009 | See Source »

...site as a sponsor. But Cory's dad Chester says he has hopes to branch out beyond Beyoncé. "I'm sure with the moves I've seen [Cory] pull, we'll get something pretty good," Elliott says. "He just always does them when I don't have a camera...

Author: /time Magazine | Title: YouTube Effect: Making Money from Viral Videos | 11/23/2009 | See Source »

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