Word: cameras
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...mind you guys comin' round my house," Soupy Sales once said to the off-camera guys who were cracking up at his jokes, "but why'd you have to bring cameras in?" His afternoon TV show, which was aimed at kids and ran in Detroit, Los Angeles and New York off and on from the 1950s through the '70s, had the seeming informality of a friendly fellow you would hire to entertain the tots. He'd crack venerable jokes, play with puppets, teach the occasional verity ("Don't eat just before dinner") and, at the end, get a custard...
...room, he connected with kids by telling jokes that were more venerable than the 2,000-year-old man - but they were new to 5-year-olds, who got a daily tutorial in how to make people laugh. He would parry with two animals seen on camera only as long paws: White Fang, "the biggest, meanest dog in the United States," and Black Tooth, "the nicest dog in the United States." Or he would go to the back door and greet some (usually unseen) visitor. One was his "girlfriend" Peaches - represented visually by Sales in a blond wig and baggy...
...future husband George Putnam (Richard Gere) walk to the train station together after meeting for the first time, a trio of rowdy soldiers joking in the background goes a long way in placing the timeless sentimentality of such a encounter in 1927. Wherever Earhart stops for fuel, the camera lingers in close-up on the children who greet her. Her feats inspired a nation in a way that modern figures rarely can, and the children she meets—including a young Gore Vidal—function as silent narrators of her story...
Thankfully, the cinematography and set provide ample relief from the humdrum plot. A whirling and occasionally unfocused camera heightens the camp of the freak show, filled with the patchwork tents and car parts that form the wandering circus’ home. This cozy shantytown contrasts perfectly with the imposing black car of the evil Desmond “Mr.” Tiny (Michael Cerveris), whose license plate, “Des-Tiny,” is one of the film’s many ingratiating flourishes...
Hawrilenko says that there are plenty of low-key intellectual players like himself, but the flamboyant, self-described “high rollers” tend to get more camera time, fueling a media image of a scene of excess, debauchery, and ballooning egos. “My friends and I, we laugh at these guys. They have their bling and their backwards hat”—Hawrilenko makes the vigorous motion of pulling an invisible hat back—“and their sunglasses on”—he puts on a pair...