Word: camerawork
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Mambo Italiano opens with promise: warm coloring, fluid camerawork and appealing Italian-themed scenes, with the family eating gelato. We are introduced to in-the-closet Angelo (Luke Kirby), a young Italian man from Montreal finally moving out after 27 years of what he calls “the trap,” living at home with his parents, who just want him to meet and fall in love with a nice Italian girl. After Angelo’s new apartment is robbed, he moves in with Nino, a childhood friend who, like Angelo, is gay. But tell their parents...
Mambo Italiano opens with promise: warm coloring, fluid camerawork and appealing Italian-themed scenes, with the family eating gelato. We are introduced to in-the-closet Angelo (Luke Kirby), a young Italian man from Montreal finally moving out after 27 years of what he calls “the trap,” living at home with his parents, who just want him to meet and fall in love with a nice Italian girl. After Angelo’s new apartment is robbed, he moves in with Nino, a childhood friend who, like Angelo, is gay. But tell their parents...
...film opens with promise: warm coloring, fluid camerawork and appealing Italian-themed scenes, with the family eating gelato and the like. We are introduced to in-the-closet Angelo (Luke Kirby), a young Italian man from Montreal finally moving out after twenty-seven years of in what he calls “the trap,” living at home with his parents Gino (Paul Sorvino, betraying fans of his work in the far superior Goodfellas) and Maria (Ginette Reno), who just want him to meet and fall in love with a nice Italian girl...
...disagrees, and he has the footage to support his dissent. The 26-year-old director's new film, 15, explores the dark side of the Singapore story. Shot with a cast of actual public-housing kids rather than actors, 15 mixes graphic realism with quick-cutting, music video-style camerawork to reveal what it's like to be young, alone and angry in a city that refuses to acknowledge your existence. The movie sold out its initial run at this year's Singapore Film Festival, took home many of the major awards and was recently selected to compete...
...achieve this feel, virtually every element of the film, from cast to camerawork, borrows enthusiastically from combat cinema's archives. One scene will be shot in the flickery black-and-white of the Godzilla genre, another will unfold entirely in Japanese anim?. Tarantino even sent his cinematographer, Oscar winner Bob Richardson (Platoon, JFK, Wall Street), lists of must-see Samurai and Shaw Brothers' classics like Five Fingers of Death and One Armed Swordsman as a pre-production crash course in the camerawork of the kick-flick canon...