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Although everybody knows how the movie must end, director James Cameron drains the tension by framing the story of the Titanic through the eyes of Rose (Kate Winslet), who tells about her romance with the impoverished passenger Jack Dawson (Leonardo DiCaprio). The two run the events of normal cinematic romance, and Cameron's script presents the lead actors with incredible cliches. Each of the other characters represents a segment of society rather than a person. As the ship breaks apart and its passengers choose between life and death, Titanic achieves an epic grandeur that the film may not deserve. Overall...

Author: NO WRITER ATTRIBUTED | Title: Brevitas | 3/13/1998 | See Source »

What Tracy was remembering were the classic rinks such as Vermont's Gutterson, Cornell's Lynah and even Yale's Blue Whale that instill fear into anyone rooting for the opposition. Those teams are lifted by a bunch of crazies who rival those made famous at Duke's Cameron Indoor Stadium...

Author: By Rebecca A. Blaeser, | Title: Weekend of Redemption? | 2/27/1998 | See Source »

...most intensely erotic experience of my life. Seriously, working with Candace Cameron was fun and we had a great time. I shot 50 episodes, spanning 2 years. I still get stopped in the square by people who remember seeing episodes, especially now that the show is in return heaven...

Author: By Bridie J. Clark, | Title: profile | 2/26/1998 | See Source »

...events of normal cinematic romance, and Cameron's script presents the lead actors with some incredible cliches. DiCaprio's Jack is idealized as a poor free spirit who just happens to be a sensitive artist. DiCaprio displays a youthful charm, and occasionally an intensity that recalls some of his past superb work. The script requires the young Rose (Kate Winslet) to be essentially two different characters: a repressed aristocrat and a rebellious teenager. The imaginative Winslet carefully balances these opposing characteristics with complete success...

Author: By Jeremy J. Ross, CRIMSON STAFF WRITER | Title: Pretty Faces, Money Do Not a Great Film Make | 1/9/1998 | See Source »

...choose between life and death, Titanic achieves an epic grandeur that the film may not deserve. The division between the rich and poor that dominates the early scenes gives way to a more complex dichotomy between suicide and self-preservation. Over-all, Titanic is a pyrrhic victory for James Cameron. But even if the film does not achieve its grand ambitions, a gem of a movie is still to be found within all of the excess

Author: By Jeremy J. Ross, CRIMSON STAFF WRITER | Title: Pretty Faces, Money Do Not a Great Film Make | 1/9/1998 | See Source »

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