Word: camerons
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Think about it. If you were as perfect as CAMERON DIAZ, would you want to palm strange bathroom doorknobs? The model cum actress, 25, despite being Matt Dillon's girlfriend, is deeply germophobic. The star of A Life Less Ordinary hasn't worked since shooting that film last winter, instead devoting much of her time to scrubbing her Hollywood home scrupulously. Along with her floors, she says, she washes her hands "many times" each day and uses her elbows to push open doors. "I'm not scared of germs. I'm just aware of them," Diaz says...
This disappointingly mediocre film is the follow-up to last year's brilliant Trainspotting; though it sports the same director, writer, producer and star, the similarities end there. The ill-paced narrative tells the story of Robert (Ewan McGregor), a recently-fired janitor who unwittingly kidnaps the beautiful daugher (Cameron Diaz) of his rich ex-boss. Screenwriter John Hodge attempts to freshen things up by tossing in a couple of gun-toting angels, a psychotic dentist and some forced romantic comedy, but only manages to further muddle the plot...
British soccer fans have their proud, blue-collar sections of Wembley Stadium. The French urge on the tennis underdog amid the dusty-red clouds of Rolland-Garros. Duke basketball is thunderously supported by the "Cameron Crazies." And there was nothing like the "Dawg Pound" in Cleveland before Art Modell whisked the Browns (er, Ravens) off to Baltimore...
...minor, faintly boring old poet. It perches rather uneasily atop a story in which Robert, a sweet, dim maintenance man (a woofly Ewan McGregor), replaced by a robot, decides to revenge himself on his rich, cruel boss (Ian Holm) by kidnapping the boss's daughter Celine (a sleek Cameron Diaz). She, naturally, turns out to be spoiled, smart, willful and eager to collaborate in ripping off Daddy...
...disappointingly mediocre follow-up by the makers of last year's brilliant Trainspotting. The illpaced narrative tells the story of Robert (Ewan McGregor), a recently-fired janitor who unwittingly kidnaps the beautiful daughter (Cameron Diaz) of his rich ex-boss. Screenwriter John Hodge attempts to freshen things up by tossing in gun-toting angels, a psychotic dentist and some forced romantic comedy, but only manages to further muddle the plot. A messy film that looks like a work-in-progress. --Jordan...