Word: camilla
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Dates: during 1940-1949
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...turn my anxiety about Liz into a disarmament conference," Camilla said...
...Wreath of Roses is not the "perfect novel" that she has confessed she would like to write, but it contains three extremely well-drawn characters: two young women and a baby. Confidantes and friends . from girlhood, Camilla Hill and Liz Nicholson are spending their summer holiday together again in an old village, full of gardens which ooze sunny peace as a honeycomb oozes honey. Liz's new baby creates all kinds of subtle estrangements, hilarities and tensions. A more serious tension arises when a handsome young stranger arrives at the local inn; though Camilla knows that he is dangerous...
Stranger-Trouble. Novelist Taylor comes a cropper in dealing with the handsome stranger-a psychotic who is a good deal more dangerous than Camilla at first suspects. Mrs. Taylor suggests facets of his character, all neatly and plausibly, but no individual emerges. At the climax of the story Camilla is filled with understandable terror at learning that her new friend is a murderer. The motives and behavior of the young man at this point are, however, by no means made credible to the reader. The novel ends rather helplessly with his suicide...
Pert little Soprano Camilla Williams, a City Center veteran (who paints her face to sing Madame Butterfly and La Bohéme) was a natural for Aïda. Amonasro was a newcomer. But by the time the curtain slid down last week on Aïda, 6 ft. Harlem Baritone Lawrence Winters, 32, had his first big-time opera audience, if not all the critics, cheering, too. His voice was fine, strong and ringing on top; and what he lacked in power, polish and poise should come with time...
Softball--Camilla Klein '48, Ann Burchsted '49, Benedicta Goossens '49, Margery Krensky...