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...time, so many of the sublime works of Titian's old age, from The Flaying of Marsyas to the Ancona Crucifixion. The drawings and prints alone, which show the mutual development of Titian and Giorgione in intimate detail, reveal the use made of their designs by engravers like Domenico Campagnola and demonstrate Titian's own astonishing power and inventiveness as a maker of multiple-block woodcuts...

Author: /time Magazine | Title: Art: Brush With Genius | 4/12/1993 | See Source »

Artists, often quite dissimilar ones, share common sources. The themes of pastoral delight, installed in Venetian art by Giorgione (represented here with one rare, very rubbed drawing) and given monumental form by Titian, spread south and north through the influence of the Giorgionesque engravers Giulio and Domenico Campagnola. Watteau copies one Campagnola landscape; Rubens takes a motif from another, Rembrandt from a third. These hard, wiry- lined little engravings, with their slightly metallic nudes and sudden dark explosions of vegetation, are to the circulation of ideas about landscape what Marcantonio Raimondi's copies after Raphael are to the human figure...

Author: /time Magazine | Title: Art: The Club Med of the Humanists, from Giorgione to Matisse | 12/5/1988 | See Source »

...cycling clubs from northern Italy with their bicycles; parochial school children from the U.S. shepherded by nuns; the ubiquitous Japanese tourists, cameras ever at the ready. At exactly 5 p.m., Pope John Paul II entered the square through the Arch of Bells, standing in his open-top, Jeep-like campagnola, which reporters have dubbed the Popemobile...

Author: /time Magazine | Title: Hand of Terrorism | 5/25/1981 | See Source »

...arms of his personal secretary, Monsignor Stanislaw Dziwisz. The Pope looked at his hands, one of which was bloodied. Bright red blood began to spurt from his abdomen onto his gleaming white cassock. Francesco Passanisi, inspector general of the Vatican police, who had been following close behind the campagnola, leaped aboard and ordered the driver to "move back and forth," presenting a blurred target for any further shots. Recalled Passanisi later: "As I was supporting the Pope, he was saying 'Thank you, thank you.' And he repeated that I should not worry...

Author: /time Magazine | Title: Hand of Terrorism | 5/25/1981 | See Source »

...Silberman, 1014 Madison Ave. at 78th. Another benefit, this time for the Rudolf Steiner School, shows some of the little-known but distinctive pieces owned by the Washington County Museum of Fine Arts in Hagerstown, Md. Paintings by Old Masters Pellegrini and Veronese and works attributed to Caravaggio, Titian, Campagnola and Rembrandt are on loan. Through...

Author: /time Magazine | Title: Art: UPTOWN: may 22, 1964 | 5/22/1964 | See Source »

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