Word: campanella
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Dates: during 1980-1989
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Though Martin had a few early scraps with Clint Courtney, Billy Hunter, Jimmy Piersall, Larry Doby and Roy Campanella, they were as preliminary as Jack Dempsey's first fights under the name Kid Blackie. In the Ring book, Martin's official record begins in 1957 at New York City's Copacabana nightclub, where Yankee Teammates Mickey Mantle, Whitey Ford, Yogi Berra, Hank Bauer and Johnny Kucks were toasting Martin's 29th birthday at the same time that a Bronx man named Edward Jones was celebrating the end of the bowling season...
COLUMBIA (77): Sean Couch 9-2-21; John Vaske 0-0-0; Guido Casparis 7-0-14; Mike Shannon 3-2-9; Chip Adams 6-7-21; Trever Holland 2-0-4; Tony Childs 0-1-1; John MacPhee 0-0-0; Joe Campanella 0-7-7. Totals...
...from personal experience and those less fortunate who remember it only from the worn pages of the record books, is brought back to life. The roll-call of greats that parade through Tygiel's pages pay ample testament to the glory of those days: Rickey, Robinson, Reese, Durocher, Sukeforth, Campanella, Veeck, Mays, Aaron, Newcombe...At the very least, we are grateful to Tygiel for culling these names and others from scrapbooks and long-destroyed card collections. And at the most, Tygiel transforms a dramatic but simple tale into a complex metaphor for some of the driving forces of modern society...
...baseball fan for half a century, I dispute Tom Callahan's contention that we all depreciate present-day stars in favor of those from our youth [Aug. 22]. I rate Johnny Bench ahead of Mickey Cochrane, Bill Dickey and Roy Campanella. I rate Strikeout Artist Nolan Ryan above Bob Feller, Dizzy Dean and Sandy Koufax. And I rate Callahan's pithy, disciplined but delicious piece on the waning golden age above any single article I have ever read by Grantland Rice or Red Smith. So, Tom, don't go around prejudging us as prejudgers! Hear...
Hudlin has arranged for screenings of works Warrington Hudlin. Roy Campanella Jr. Charles Burnett and Robert Gardener, among others. The presentations have often been accompanied by standing room only question and answer sessions with the artists Says Hudlin. "I'm bringing Black films to Harvard because I have a sense that people are willing to experiment, see something 'weird' while they're students. It I can get them to see an independent Black film. I can eliminate that idea that Black films are only political, didactic works, because they're not. They are as rich and as varied as film...