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Word: campanini (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...wins is due mainly to Conductor Giorgio Polacco. Two decades ago he came to the U. S. from Italy, lavished his talent on scattered engagements. In 1915 he substituted for Toscanini as chief conductor of the Metropolitan Opera Company, Manhattan. Later he was called to assist the great Cleofonte Campanini as director of the Chicago Opera, married Edith Mason, singer. Now he makes music out of even La Cena Delle Beffe...

Author: /time Magazine | Title: Music: Drama-Spectacle | 12/13/1926 | See Source »

...once had gravely lighted the 3,000 elegants in hoop-skirts and tight trousers who danced there one memorable night (Oct. 12, 1860) under the eyes of Albert Edward, Prince of Wales? upon the stage where Patti sang, where Modjeska triumphed, where Edwin Booth, Salvini, Lawrence Barrett, John McCullough, Campanini, Ole Bull, sang or spoke or played, white-haired Otis Skinner, actor, made a little speech. He spoke well, with that fine courtliness, which distinguishes actors and field marshals in old age. But the people in the stalls and boxes did not need to hear him; they too could have...

Author: /time Magazine | Title: Paderewski Sails | 5/31/1926 | See Source »

...Oscar, putting on opera at the Man- hattan Opera House of New York, gave the Metropolitan management many bad dreams. But Hammerstein had no millionaires behind him. Opera war cost money. Finally he sold out to the Metropolitan. His chief orchestra conductor had been the shrewd and able Cleofonte Campanini, who now took the Hammerstein idea to Chicago. Chicago is the natural enemy of New York. Chicago would rival New York on the heights of opera. Campanini understood Americans as no American understands them, and with subtle persuasions he lined up Chicago capital that never failed him. Chief among...

Author: /time Magazine | Title: The Chicago Civic | 11/5/1923 | See Source »

...Campanini achieved fine success. He assembled a company of old Hammerstein stars and new ones of his own, one of the most brilliant companies ever assembled, with Mary Garden, Galli-Curci, Titta Ruffo, Muratore, Raisa, Baklanoff and others. He put on opera equal in general to the Metropolitan's best and in many respects more interesting. His New York seasons were awaited in the Metropolitan home grounds with eagerness. Though he did not make money for the company, did not "break even," he, nevertheless, achieved glories for Chicago, kept the peace in his company with suave authority, displayed great genius...

Author: /time Magazine | Title: The Chicago Civic | 11/5/1923 | See Source »

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