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...choral effects still showed the clear influences of Verdi, Meyerbeer and-particularly-Gounod, whom Bizet considered his master (one 12-bar passage is note-for-note from Gounod's Faust). But under the expert leadership of Conductor Laszlo Halasz, and with a fine lead performance from Tenor Giuseppe Campora, the opera emerged at least in parts as the melodic masterpiece that the French have come to regard it (the Paris Opera-Comique has it in its regular repertory, as does La Scala). Outstanding were the fine tenor aria in Act I familiar to Caruso fans ("Je crois entendre encore...

Author: /time Magazine | Title: Music: Bizet Before Carmen | 7/21/1961 | See Source »

Metropolitan Opera (Sat. 2 p.m., ABC). Lucia di Lammermoor, with Maria Callas. Sordello, Campora...

Author: /time Magazine | Title: TELEVISION: Program Preview, Dec. 10, 1956 | 12/10/1956 | See Source »

When it was over, and everybody else was killed off too, the audience came back to reality and howled like the West Point cheering section while Maria Callas curtsied, hugged herself and blew kisses through 14 long curtain calls. Tenor Giuseppe Campora, who had given a vocally beautiful performance, doggedly appeared with her every time, although toward the end he began to look rather tired of keeping up with Callas...

Author: /time Magazine | Title: Music: Callas' Tosca | 11/26/1956 | See Source »

Metropolitan Opera (Sat. 2 p.m., ABC). Faust, with Kirsten, Campora, Guarrera, Hines. Conductor: Monteux...

Author: /time Magazine | Title: TELEVISION: Program Preview, Feb. 6, 1956 | 2/6/1956 | See Source »

Composer Giuseppe Verdi, who discovered Egypt some 80 years ahead of Hollywood, set the yarn to some of the finest music ever to come out of Italy. Director Clemente Fracassi has put it in the mouths of Top Singers Renata Tebaldi, Ebe Stignani and Giuseppe Campora (with supporting singers from La Scala and the Rome Opera). He has had his visible actors synchronize their lips and slow-motion movements with the music. Unfortunately, his $3,000,000 budget apparently made no allowances for up-to-date recording equipment. Too often Aida rasps and burbles as though it were being played...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 29, 1954 | 11/29/1954 | See Source »

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