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Word: camus (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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...dazzling novel of free- floating angst and male brinkmanship set in the Florida Keys. Ninety-Two was nominated for a National Book Award, and McGuane became, in the words of ^ Saul Bellow, "a kind of language star." Critics compared the 34-year-old author to Faulkner, Hemingway, Chekov and Camus. The big time -- and Tinseltown -- beckoned. McGuane became a celluloid hotshot, penning scripts for Rancho Deluxe and Tom Horn among other movies. In exchange for writing 1976's The Missouri Breaks, which starred Marlon Brando and Jack Nicholson, he was given the chance to direct the screen version of Ninety...

Author: /time Magazine | Title: TOM MCGUANE: He's Left No Stone Unturned | 12/25/1989 | See Source »

...topic of letters to the editor, I cannot resist quoting from Jean Paul Sartre's response to a letter to the editor written by Albert Camus...

Author: By John L. Larew, | Title: The Editor Strikes Back | 12/13/1989 | See Source »

...carry echoes of Mexican symbolism, but they also wear the signs of European expressionism, new-wave imagery, old- fashioned camp. And he recalls low- and high-culture influences in his adolescence that are shared by half the Anglo painters in Manhattan. "Daffy Duck on TV in the morning and Camus in my back pocket," as he once described it. Someone like Gronk does not cross over at all. In him, the cultures simply converge...

Author: /time Magazine | Title: A Surging New Spirit | 7/11/1988 | See Source »

...Peace changes his life--and shifts the movie into a mixed mode of comedy, musical and social satire. Inspired by his heavy readings--Nietzsche, Camus, and the like--Umstetter pens a prison drama called "Weeds" and directs it in San Quentin. Weeds, the movie, is the tale of Umstetter's exploits once he's been paroled through a campaign initiated by an impressed San Francisco drama critic. Umstetter and his fellow ex-convict thespians take their show on the road...

Author: By Aline Brosh, | Title: Stars and Bars | 10/30/1987 | See Source »

...movement of microscopic particles suspended in liquids or gases, that Walter Pater said we should burn with a hard gemlike flame and that comme il faut means proper. They are too busy moving their curriculum between the trendy and the arbitrary. Why, for example, is Sartre listed but not Camus? Why Norman Mailer but not Saul Bellow or John Updike? Leonardo but not Michelangelo? Venereal disease but not AIDS? Why Beverly Hills but not St. Louis? Cole Porter but not Leonard Bernstein? Muammar Gaddafi but not Francois Mitterrand? Bogart but not Olivier or even Cagney? Such questions guarantee that...

Author: /time Magazine | Title: Books: Appendixitis Cultural Literacy | 7/20/1987 | See Source »

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