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Numerous contemporary writers obviously produce poshlost or are, for other reasons, Nabokov's black pets. "Many accepted authors simply do not exist for me. Their names are engraved on empty graves, their books are dummies, they are complete nonentities insofar as my taste in reading is concerned. Brecht, Faulkner, Camus, many others, mean absolutely nothing to me, and I must fight a suspicion of conspiracy against my brain when I see blandly accepted as 'great literature' by critics and fellow authors Lady Chatterley's copulations or the pretentious nonsense of Mr. Pound, that total fake. I note he has replaced...

Author: /time Magazine | Title: Books: AND NOW, POSHLOST | 12/1/1967 | See Source »

...here Styron makes his own departure. In Melville, Hawthorne and Twain, there is always at least a memory of innocence. Not for Nat: for him there is no innocence, no redemption. From the corruptions of childhood, he acts out his damnation. His bloodbath is a black Mass; in Camus' words, he is "a saint without...

Author: /time Magazine | Title: Books: The Idea of Hope | 10/13/1967 | See Source »

...dislike for his bourgeois parents drifts from membership in a mild radical party to participation in an assassination plot with bomb-throwing anarchists. Any work on this subject inevitably demands comparison with some 20th century masterpieces, including Malraux's Man's Fate and Camus' long essay The Rebel. In that company, Koningsberger is hopelessly out of place; what is more, his character is also out of date. A.'s home is an imaginary European country, not Africa or Asia, where the action is. Furthermore, A. is totally unversed in Mao, Ho Chi Minh or Che Guevara...

Author: /time Magazine | Title: Books: Unlikely Archetype | 9/22/1967 | See Source »

...York Hilton last week, delegates wandered through a maze of 1,500 cardboard boxes stacked seven feet high in two exhibition halls. Pasted on the vividly painted cartons were collages of photographs from Viet Nam, Newark and Vogue, bits of magazine ads, scribbled quotations from John Kennedy, Albert Camus and Beatle John Lennon. In effect, the exhibit - entitled "Survival with Style"- was a dramatic plea to man's conscience. A message in blank verse invited viewers to mull over the maze and "find alternatives to war to poverty to pain...

Author: /time Magazine | Title: Roman Catholics: Joyous Revolutionary | 9/8/1967 | See Source »

Unfortunately, like his targets, Bunuel has aged poorly. His images no longer shock, his attacks, in the era of black humor, seem peculiarly tame and tepid. Manifestly, he intended Angel to fly on several levels. It could be a metaphor of proliferating fascism, as in Camus' The Plague. Or it could be a restatement of the theme of No Exit, Sartre's trapped-in-a-room drama: hell is other people...

Author: /time Magazine | Title: Cinema: Host of Troubles | 9/8/1967 | See Source »

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