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Easy Jokes. Reagan was better at striking sparks. Displaying increasing confidence and elan, he campaigned in Kentucky and Idaho before moving on to Michigan. The jokes came easily. Asked for the umpteenth time about his position on the Panama Canal, he quipped: "If they don't watch out, I'll come out and start defending the Erie Canal." In keeping with his levity, his accompanying son Ron Jr., 17, sported a T shirt emblazoned with a caricature of Richard Nixon, wearing red, white and blue shoes and flashing a victory sign, and the joshing slogan "Perfectly clear-Nixon...

Author: /time Magazine | Title: POLITICS: More Blood in the G.O.P.'s Donnybrook | 5/24/1976 | See Source »

...Catholic Conference issued an election-year statement in February on "political responsibility," advocating, among other things, unconditional food aid to poor nations, arms limitation, full-employment policies, and stronger housing programs. The bishops' administrative board recently called for full self-determination for Panamanians in any new Panama Canal treaty...

Author: /time Magazine | Title: A Church Divided | 5/24/1976 | See Source »

Painted Rats. Later, on another set, the director swung aloft on a crane over an indoor water tank to film an enormous caged seraglio at the edge of a Venice canal. "Motore!" he shouted, and the cameras rolled. The harem was wild with excitement as Casanova's gondola glided past. Fellini exhorted the girls chosen for the scene to climb their cage like monkeys to get a better view. "Higher, Fernanda!" he roared through a megaphone. "Climb higher and hang those lovely boobs of yours through the bars." The girl followed instructions, hung on precariously and was rewarded...

Author: /time Magazine | Title: Show Business: The New Fellini: Venice on Ice | 5/17/1976 | See Source »

...Fellini's penchant for detail is no laughing matter. Filming a Venice canal sequence in an outdoor tank, the maestro ordered 200 rats into the water. "Stop!" he shouted after noticing that half the rats were white: "Paint them brown." His hard-pressed casting staff is often given a sketch of a type of face he wants and ordered off to the back alleys of Rome in search of their prey. For Fellini, the right face is everything. "I chose Sutherland because he is completely alien to the conventional idea of Casanova-the dark-eyed Italian, magnetic, raven locks...

Author: /time Magazine | Title: Show Business: The New Fellini: Venice on Ice | 5/17/1976 | See Source »

Last week Venice glowed eerily under the chill night sky over Cinecitta studios as Fellini filmed the movie's final scene. On a set as large as a football field (cost: $500,000), the city lay frozen -its Grand Canal solid ice (constructed from sheets of white plastic), the Rialto Bridge sagging under layers of snow. The scene represents the dying Casanova's final thoughts about the city of his youth. On signal from the director ("Go, Donald"), Casanova moves slowly across the ice, his black cloak fanned open by the night wind. He pauses, kneels down...

Author: /time Magazine | Title: Show Business: The New Fellini: Venice on Ice | 5/17/1976 | See Source »

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