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Word: candelabras (lookup in dictionary) (lookup stats)
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...educating seriously. Since these are truly the only tenable reasons for having public religious displays, we owe it to ourselves to scrutinize our religious showpieces. Is a tree the best way to share Christmas with other students? Speaking as a Jew, I can tell you that the unimpressive candelabra that rests on a white tablecloth in Leverett House would not be my pick. Neither are "Mysterious Maccabees." But a Seder, the traditional Passover meal during which Jews retell the story of the exodus from Egypt, might be. A model Seder might be a wonderful house program that would allows Jews...

Author: By Ethan M. Tucker, | Title: Decking the Dining Halls... | 12/13/1995 | See Source »

...family lives, is a tribute to the Dutch painter Jan Vermeer. Cocteau achieves a heightened sense of realism through careful composition and austere lighting. He presents a vision of simplicity and common sense, the antithesis of the world inside the palace of the Beast, where fantasy reigns supreme. There, candelabra are held by human hands protruding from the walls, a magical mirror contains the visage of a beloved and an enchanted white steed roams the halls. The palace in the midst of the dark woods is a creation straight out of the work of Gustave Dore. Christian Berard's sets...

Author: By Joel Villasenor-ruiz, | Title: Jean Cocteau's Fuzzy Valentine | 2/11/1993 | See Source »

...These operas do not require powdered wigs and candelabra to make their political points," says Sellars. True enough, but if Sellars had really wanted to modernize Mozart's opera, his hero should have been a Wall Street arbitrager, or perhaps a rock star. For that matter, he should sing in English, but Sellars characteristically prefers that Da Ponte's witty text remain obscure, that "the audience ((be)) forced to take in information through other pores...

Author: /time Magazine | Title: The Camping Up of Mozart Or, Yo, Don Giovanni is one bad dude | 8/7/1989 | See Source »

...Phantom, described as a scholar, seems more a necromancer, dematerializing, teleporting, even dodging bullets. He defies the laws of gravity and physics: his kingdom in the bowels of the Paris Opera House is reached by rowing across a subterranean lake through which candelabra rise and descend, mysteriously unquenched. The lagoon seems to be at or above the level of his hideaway, yet his chambers remain unflooded. Allow oneself a moment's skepticism and the story turns to piffle. But audiences give themselves over to the fantasy concocted by Prince and Designer Maria Bjornson, letting logic evanesce as long...

Author: /time Magazine | Title: Theater: Music Of The Night THE PHANTOM OF THE OPERA | 2/8/1988 | See Source »

...life is dressed in some variation of off-white -- and looks cool, stylish and slightly soiled. Two ornate sofas are shrouded with crumpled, much used sheets: this is a world of ceaseless, unsatisfying copulation. Although the sides of the stage are heaped with the bric-a-brac of elegance -- candelabra, statuary, flowers -- the characters seem more at home with simple louvered screens, behind which they peep and eavesdrop. The dialogue is fittingly brittle and epigrammatic. "When it comes to marriage," a much traveled woman says, "one man is as good as the next; and even the least accommodating is less...

Author: /time Magazine | Title: Theater: A Roundelay of Deadly Conquests LES LIAISONS DANGEREUSES | 5/11/1987 | See Source »

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