Word: canes
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Dates: during 1970-1979
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...orally. Some knelt before Fahd, who was now seated. Others whispered in his ear, addressing him simply by his first name. The Prince listened to all patiently, occasionally murmuring instructions to his assistants. Among the first petitioners was an aged, crippled, nearly blind man, barefoot and leaning on a cane. He was destitute and was asking for money. Another petitioner had a pregnant wife; he also pleaded for princely largesse. A third needed help to rebuild his house, which had burned down. Another came from a remote district that lacked water and electricity, and he wanted action from the government...
...large, empty lobby. The carpet was the deep, thick kind that absorbs most noise, the kind that you sink into as you walk across it. On the far side of the lobby sat a short, squat old man wearing a freshly pressed three-piece suit and tightly gripping a cane. As I walked in, he looked up at me eagerly...
WELCOME TO our Center. That was my husband downstairs with the cane, and we're both here because we're part of something so wonderful that we want to share it with everybody, and we especially want to share it with you. How much time do you have? It's a very special message, and I want to be sure that we have enough time...
...walked down the stairs, remembering with a kind of embarrassment the paranoia I'd felt as I climbed them. In the downstairs lobby, Sister Wood's husband waved his cane at me, waved it cheerfully...
...following World War II. The film features Glenn Ford, Rita Hayworth and an actor whose name I always forget, who plays a Rio casino owner-cum-international tungsten cartel boss. It revolves around two sinister triangles: one, a quasi-homosexual link between the tungsten boss, the boss's sword-cane, and Glenn Ford (the other, between Rita Hayworth, the tungsten boss (who marries her), and Ford (who has had a bitter affair with her and becomes the boss's lieutenant). The clash of the two triangles nearly destroys all three of them, and makes possible the emergence of the movie...