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Usage:

...sure," says Caniff, "that Patterson had known it for a long time...

Author: /time Magazine | Title: The Press: Escape Artist | 1/13/1947 | See Source »

Chained Seal. At 37, Milton Caniff was a widely imitated, $70,000-a-year success. His Terry strip was on the radio; a Douglas Fairbanks Jr. movie was in the works. Why give it all up? For a reason of his own, Caniff wanted more. In Florida, when he was 18, he was bitten by a mosquito and got phlebitis, an inflammation of the veins that made the Army-and insurance doctors-turn him down. Because of his quick-clotting blood, says Caniff, "even a bad bump on the leg could bump...

Author: /time Magazine | Title: The Press: Escape Artist | 1/13/1947 | See Source »

...fall of 1944 Millionaire Marshall Field, whose young Chicago Sun had not succeeded in rising above the commercial horizon, decided to grab the best talent his money could buy-preferably by taking it away from his rival, Colonel McCormick. Field invited Caniff to his apartment at 740 Park Avenue, blandly asked him: "What do you want?" Caniff hardly needed to answer: ownership of copyright. "I'm out to emancipate you," smiled Field. Then he added comfortably: "I imagine you're a well-paid slave...

Author: /time Magazine | Title: The Press: Escape Artist | 1/13/1947 | See Source »

...Caniff was the first cartoonist who ever left Joe Patterson, though not the first to abandon his brain children.* Patterson and Caniff never spoke or met, after Caniff joined Field. (In Patterson's Daily News, and in most of the other 310 papers that print Terry, the strip was being drawn last week by George Wunder. Wunder, like Caniff-whom he has never met-is a left-handed graduate of the A.P. Judging by his first week, his drawing was a reasonable facsimile of Caniff's, but his dialogue was a long way below...

Author: /time Magazine | Title: The Press: Escape Artist | 1/13/1947 | See Source »

...Caniff's new five-year contract with Marshall Field calls for a $2,000-a-week minimum. The Field organization was not equipped to sell the new strip nationally, so left-winger Field, who shudders at William Randolph Hearst on his editorial page, made a deal with the old lord of San Simeon. For selling Steve Canyon, Hearst's King Features Syndicate got first rights to run the new strip in all Hearst papers outside Chicago (including the tabloid Mirror in New York, instead of Field's small...

Author: /time Magazine | Title: The Press: Escape Artist | 1/13/1947 | See Source »

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