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Word: caniglia (lookup in dictionary) (lookup stats)
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...Tebaldi as a fulltime pupil, made her into the kind of singer she is today. Melis worked on voice placement, taught Tebaldi the piano singing to which her voice is naturally adapted. As models, Melis pointed to the sweetness and purity of Muzio, the powerful middle register of Maria Caniglia...

Author: /time Magazine | Title: Music: Diva Serena | 11/3/1958 | See Source »

Puccini: Tosco (Maria Caniglia, Beniamino Gigli, Armando Borgioli; chorus and orchestra of the Royal Opera House, Rome, conducted by Oliviero de Fabritis; Victor Treasury series, 4 sides LP). Puccini's fieriest, reissued in the fine, robust performance that was a pre-LP highlight. Recording: good...

Author: /time Magazine | Title: Music: New Records, may 26, 1952 | 5/26/1952 | See Source »

...Verdi's month on records. Victor reissued a superlative performance of one of the most remarkable works of all time: the Requiem (4 sides LP). The music has all the passion and dramatic impact of a Verdi opera, and the soloists, Beniamino Gigli, Maria Caniglia, Ebe Stignani and Ezio Pinza, were all able to do it justice when this version was originally recorded in 1939. Conductor Tullio Serafin does his share with the Royal Opera Chorus and Orchestra of Rome. The recording is good...

Author: /time Magazine | Title: Music: New Records, Mar. 17, 1952 | 3/17/1952 | See Source »

...Metropolitan Opera's Ferruccio Tagliavini sang Tosca and Lucia di Lammermoor, there were few empty seats; fans gladly paid double prices to hear once-barred (for alleged collaboration) Tenor Beniamino Gigli sing the operatic twins "Cav" and "Pag" (Cavalleria Rusticana and I Pagliacci) with popular Soprano Maria Caniglia and Baritone Tito Gobbi. Even 60-year-old Tenor Tito Schipa was on hand...

Author: /time Magazine | Title: Music: Opera at the Baths | 9/12/1949 | See Source »

Verdi: La Forza del Destine (Maria Caniglia, soprano; Ebe Stignani, mezzo-soprano; Galliano Masini, tenor; Tancredi Pasero, bass; Carlo Tagliabue, baritone, and others with the EIAR Symphony Orchestra and chorus, Gino Marinuzzi conducting; Cetra-Soria, 36 sides). Some of the singers made Verdi's less worthy opera sound far better than the Aïda. Recording: good...

Author: /time Magazine | Title: Music: New Records, Mar. 28, 1949 | 3/28/1949 | See Source »

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