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Honeysuckle Rose takes its cue from the plangent homilies of country music. Buck Bonham (Nelson) is a moderately successful singer with a strong, loving wife (Dyan Cannon), an adoring son (Joey Floyd) and-shift to a minor key here-an ambitious girl guitarist (Amy Irving) who snakes her way into Buck's band and bed. Once she and Buck become lovers, the dramatic tension slackens. Seven decades of movie romance have prepared the audience for a climactic reconciliation of Buck and his wife. And since Amy Irving acts as if she bought her clothes and her accent at Bloomingdale...

Author: /time Magazine | Title: Cinema: Sweet Willie | 7/28/1980 | See Source »

...much of the trip, though, Honeysuckle Rose provides good, earthy company. And when Nelson and Cannon team to sing a sexy country duet, the romantic charge is as strong as any pairing since Leslie Howard and Ingrid Bergman-or at least since Kermit and Miss Piggy...

Author: /time Magazine | Title: Cinema: Sweet Willie | 7/28/1980 | See Source »

...later, Henry Ford led the formation of Detroit Renaissance, a group made up of chief executives of the major corporations in the city. This power elite had the financial clout to rebuild the downtown, which was so deserted after the riots that Young says: "You could have shot a cannon down any of the major thoroughfares at night and not hit anyone...

Author: /time Magazine | Title: Nation: Down but Far from Out | 7/21/1980 | See Source »

...Soviet painters carried their canvases into a patch of wasteland in Cheremushki, an outlying district of Moscow, and began to set them up on makeshift stands. A small crowd of onlookers gathered, and so, to one side, did a platoon of KGB agents with bulldozers, dump trucks and water cannon. The secret policemen were disguised as civilians doing volunteer work on the abandoned site. As the spectators peered at the paintings and a few Western reporters clicked their cameras, the agents attacked, flinging the canvases into rubbish trucks. Then the bulldozers and water cannon moved in, grinding over fallen works...

Author: /time Magazine | Title: Art: Socialist Realism's Legacy | 6/23/1980 | See Source »

...oppose the draft must continue political efforts to stop its adoption, but resisting once a draft goes into effect may come too late. It is time now to warn the nation that we do not plan to be used as tools in one man's political campaign or as cannon fodder in a war that can claim no moral justification. If the unhappy day comes when a necessary and moral battle needs to be fought, we will volunteer. For today, we say resist...

Author: NO WRITER ATTRIBUTED | Title: Resist Registration | 6/23/1980 | See Source »

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