Word: cannon
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...feel it incumbent on Harvard to find some other and more appropriate spot in which to build its Knafel Center. MARIAN CANNON SCHLESINGER '34 Cambridge...
...than in the thin air above Colorado's mile-high plains. Some Air Force safety experts have recommended that the entire T-3 operation be based at Hondo. "The flight school shouldn't be in the mountains," says one such expert. "But Annapolis has boats and West Point has cannon, and so saying you're not going to have planes at the Air Force Academy doesn't sound right...
...striking moment arrives with the duet of Belinda and the Second Woman, "Fear no danger to ensue/The hero loves as well as you...." The close harmonies are lovely, and the two women's strong, ringing voices are well-matched. Despite slight difficulties with intonation at a few points, both Cannon and Oh demonstrate remarkable facility in the duet's challenging runs. The chorus' reiteration of the verse, on the other hand--the opera's first big choral part--lacks clarity and strength. The choral "Cupid only throws the dart/That's dreadful to the warrior's heart..." is much better...
...performances of Cannon and Oh do much toward the production's redemption, but ultimately cannot compensate for the rest of the cast. Much of Bruckmann's singing, when she's not grimacing or missing her note in a dramatic squawk, is also worthwhile, as are many of Quilici's passages. But neither lead is ultimately compelling as a character or performer. And many of the choral members are simply liabilities to the production--their varying quality of vocal contributions fail to outweigh the ridiculous mugging and noise-making which someone apparently considered lively or endearing. In a fourth-grade production...
...Cannon, as Belinda, is a lonely point of light in this largely disappointing production. More than any other performer, Cannon takes great advantage of the surprisingly good acoustics of the PfoHo dining hall: her strong, lovely soprano resounds thrillingly, even above the frequent fits of scuffling from the chorus members and recurring orchestral problems. Her Act II opening solo, "Thanks to these lonesome vales..." is excellent, demonstrating especially skillful use of dynamics and vibrato...