Word: cannoneering
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...Cannon simply figured that a budget had never been made that could not be cut. To prove it, he spent long nights wearing a black eyeshade, seated behind a gallimaufry of reports, books and papers, studying and slicing. He especially delighted in heckling the military. In an annual spring ritual, he would arise with flailing arms to castigate the Pentagon. Starting with Philip of Macedon's tactics, he would trace the history of warfare through Henry V down to the first and second World Wars. Military men, he protested, were not susceptible to change-especially changes that might save...
...would arrive by the end of the summer-to replace both the B-26s and the remaining combat T-28s. Though also a prop-driven World War II craft, the Skyraider is a much more powerful warplane and almost twice as fast as the B26. Armed with 20-mm. cannon, Skyraiders distinguished themselves in Korea for their close support of the Marines. But the improvement is belated. As to the question, "Why not jets?", Air Force men insist that slower planes are better for Viet Nam's kind of jungle...
Henry V. Something resembling a thunderbolt is heard offstage. Out of nowhere, what seem like a hundred men are shouting, sweating, straining as they haul a cannon to stage center. It belches smoke. It is hidden in smoke. The whole theater is going up in smoke. A man has mounted the cannon, but it is difficult to see him, let alone hear him. He is King Henry V (George Grizzard), and what he is saying is, "God for Harry, England and St. George." What the scene is saying is-the prop's the thing...
...this cannon is virtually the only conversation piece that Director Tyrone Guthrie has permitted himself. His Henry V is the least tricked-up Shakespearean production that Guthrie has ever been associated with in the U.S. Except for cutting some lines for pace, he trusts the author and the playgoer, for a change, and the play flashes like an unsheathed sword, keen, virile, inescapably compelling. It is a patriot's poem of valor, a memorial ode written in the bright and acrid air of combat for all men who ever fought, bled and died for their country's honor...
...hands, brother, not in theirs." Again, Grizzard is touchingly good as he comforts his tattered band on the eve of Agincourt with "a little touch of Harry in the night." On balance, however, he does not drive the play forward. He is hauled through it, rather like the cannon...