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...been named White House director of communications, with responsibility for selling his friends in the Administration to his friends in the media. The appointment was a concession to Reagan's right-wing supporters, who want greater representation on the White House staff. Said Washington Post White House Correspondent Lou Cannon: "The question is, How can you be an effective spokesman for policies and people you yourself don't agree with?" White House Chief of Staff Donald Regan acknowledged Buchanan's potential conflicts: "I reminded Pat of an old phrase, 'accepting the King's shilling.' He agrees that he will support...

Author: /time Magazine | Title: Press: House Critic | 2/18/1985 | See Source »

...live through every shot again and have the wildest visions," he noted, having confessed the secret of how beautiful war can seem in the stops between its terrors: "The circular trembling aperture of the French and Belgian searchlights, like a transcendental airplane . . . the amazing apocalyptic sound of the giant cannon . . . A rider at full gallop in the dark . . . Poor pig that I am, I can only live in dreams." War went beyond art and burned out his fantasies. What it left behind was a hard, copious ash of realism, and an unassuageable will to describe what...

Author: /time Magazine | Title: Art: Psychological Realist in a Bad Age | 1/14/1985 | See Source »

...Democratica, the main opposition group, did not endorse the protest for fear of running afoul of the siege order's ban on public gatherings; nonetheless, about ten Alianza leaders lined up in front of Santiago's cathedral and sang the national anthem. As they dispersed, a water cannon lumbered into view and began spraying. "The government can claim a 'military success,' " said Alianza President Ricardo Lagos, a socialist. "But the fact is that the army had to act as an enemy occupying a foreign country...

Author: /time Magazine | Title: Chile: Show of Force | 12/10/1984 | See Source »

...Cannon...

Author: /time Magazine | Title: Letters: Oct. 29, 1984 | 10/29/1984 | See Source »

...buckling at the knees. Yet Cyrano is a more typical Royal Shakespeare evening. The capacious stage of the Gershwin Theater teems with actors and activity; Ralph Koltai's set is brownish, broody, tattered just so; the tone of the crowd scenes is strenuously raunchy; during the battle scene, cannon fire pops your eardrums, and the R.S.C. smoke machine wafts its fumes across the orchestra seats; the whole production looks to be illuminated by a 20-watt bulb. To see this ensemble devote itself with patented bustle to Cyrano is to feel the comfortable but unsatisfying sensation of watching...

Author: /time Magazine | Title: Theater: The R.S.C.'s Rhapsody in Brown | 10/29/1984 | See Source »

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