Word: cannot
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Dates: during 2000-2009
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...Michigan, which includes Detroit, a restitution of nearly $1 million. So far, Kilpatrick has paid about $90,000 of that sum. But despite having a $120,000-a-year job in Dallas with a subsidiary of Compuware, the billion-dollar software company based in Detroit, Kilpatrick now claims he cannot afford to meet the payment terms of his probation agreement. (Never mind his family's rented suburban mansion and flashy cars.) (See the top 10 scandals...
...Somewhere to Nowhere: China's Internal Migrants, will be showcased for two months beginning Nov. 12 at Zurich's Helmhaus Museum. During the course of his project, Seibert found that while his subjects earn vastly higher salaries in the cities than they do in the countryside, their material gains cannot adequately compensate for the enormous sacrifices they make. "They watch TV and see pictures of worlds they will never be part of," he says. "That can create unrest." Such is the dark side of China's boom...
...performed by Diaghlilev’s Ballet Russes in 1911, provides a delightful contrast to the composer’s later, seminal work Le Sacru du Printemps (“The Rite of Spring”). Petrushka’s plot line of musical puppets cavorting on a fairground cannot begin to compete with Stravinsky’s story of a maiden who is chosen to dance herself to death for the fertility of the earth in “The Rite of Spring,” nor does it presume to. Put simply, Petrushka doesn’t want...
...science is evolving - it's so new that black carbon wasn't even listed as a warming agent in the most recent report from the Intergovernmental Panel on Climate Change - but it cannot be ignored. Black carbon is already having an impact on the ice atop the Himalayas, the massive glaciers that feed the major rivers of Asia when they melt each spring. Thanks to global warming, these glaciers are receding, threatening the long-term water supplies for the region. Ramanathan, Wilcox and an Indian glaciologist Syed Iqbal Hasnain are working to figure out the impact of black carbon...
...Project,” Wodiczko attempts to transform the audience into veterans. He transports them into the center of the kind of confrontation that is an everyday reality for many. However, because audience members remain protected by the walls of the warehouse environment, and by the fact that they cannot directly participate in the narrative, they remain as spectators...