Word: cannot
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Dates: during 2010-2019
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...bill’s central tenet is a law preventing insurers from denying coverage to individuals with pre-existing conditions. To do this, Democrats mandate that all Americans buy insurance in order to prevent people from gaming the system. This mandate in turn requires government subsidies for those who cannot afford coverage. These three new regulations amount to what Paul Krugman calls the “three-legged stool” of reform...
...million Americans will be added to the failing government-run Medicaid and Children’s Health Insurance Program rolls. That is, half of the 32 million Americans that the bill’s proponents claim will be covered are dumped into a government-run program that America already cannot afford. While 87 percent of doctors reported accepting all or most new privately insured patients in 2008, only 53 percent of doctors reported accepting all or most new Medicaid patients, because Medicaid reimburses doctors below market rates. What good is Medicaid coverage if a doctor refuses...
...discerning why Lisbeth and Blomkvist, two extremely lost people, make the kind of desperate and dangerous decisions that they do. Larsson’s story is more eloquently written than the pared script. This ultimately is no fault of the movie, however, as that kind of story-telling simply cannot be delivered without several more hours of film...
...some reason Kirk and his friends cannot figure out, Molly likes him. She asks him on several dates, but neither he nor his friends believe that she could be romantically interested in him. Not even her ex-boyfriend, handsome hockey star Cam (Geoff Stults), even considers the possibility that Kirk is a competitor—he even confuses Kirk for a waiter when he runs into Molly and Kirk at a restaurant. Kirk’s self-confidence issues lead him to drive her away, but not before subjecting himself (and the audience) to a series of almost unbearably awkward...
...talented writer branch into new territory, exposition remains McPhee’s strength and thus his longer, more journalistic pieces are most rewarding. McPhee’s style is unique, but in a way that does not encroach upon the material. The worst narrative journalists are those that cannot overcome their fondness for their topics; the slightly better ones have trouble overcoming their fondness for their own voice. McPhee is able to avoid both of these pitfalls...