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Caesar and Cleopatra is afflicted by the mummy's curse. Despite two or three of the best scenes in the Shavian canon, the play itself may be unworkable: lines by Shaw but construction by Rube Goldberg. Offstage there are battles, mob scenes and the endless clumping of Roman legions. Onstage there are only words; even in this finger exercise for Pygmalion Shaw seemed to be heading toward what he later called playwriting as a "platonic exercise...

Author: /time Magazine | Title: The Theater: Platonic Exercise | 3/7/1977 | See Source »

...AFRAID OF VIRGINIA WOOLF? An admirable revival, with Colleen Dewhurst and Ben Gazzara, verifies that after 14 years this marital Walpurgisnacht has become part of the permanent canon of U.S. drama...

Author: /time Magazine | Title: The Theater: The Year's Ten Best | 1/3/1977 | See Source »

...visitors that "we are the Holy Father"). Plague and cholera still ravage its citizens because ecclesiastical authorities have hamstrung medicine and banned science altogether. Jean-Paul Sartre is a French Jesuit. Children read books like St. Lemuel's Travels and "a collection of Father Bond stories." The entire canon of William Shakespeare was proscribed during his lifetime and most of his plays burned as incitements to humanism. Hamlet is now attributed to Thomas...

Author: /time Magazine | Title: Books: Blood of the Lamb | 1/3/1977 | See Source »

Composed on the heels of HMS Pinafore, The Pirates of Penzance is one of the best known of the Gilbert and Sullivan canon. The show has very little dialogue; there's nothing here, for instance, to rival the verbal pyrotechnics between the two peers in Iolanthe or the pompous flatulence of Poo-Bah in The Mikado. Pirates' fame derives rather from its score, which is a typical G&S mix of rousing chorus numbers, patter songs and take-offs on Italian grand opera...

Author: By Julia M. Klein, | Title: The Very Model of an Operetta | 12/7/1976 | See Source »

What is commonly called literary history is actually a record of choices...Which works have become part of the "canon" of literature, read, thought about, discussed, and which have disappeared dependent on the process of selection and the power to select along the way. Such power, in England and America, has always belonged to white men. That class has written the record called literary history, which is clearly shaped by the attitudes, conscious or unconscious, of white men toward nonwhites and nonmales. As a result of the process whereby male power makes male culture and, therefore, male taste, the literary...

Author: By Ruth Hubbard, | Title: With Will to Choose | 10/19/1976 | See Source »

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