Word: canoneer
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...Right now, I could trace a number of my concerns and images to Plato and Machiavelli and Homer,” Abram Kaplan says. “In general, I would say that I draw heavily from what’s called the Western canon...
...website, the Harvard-Radcliffe Dramatic Club describes William Shakespeare’s “Pericles”—written in part by the much less eloquent George Wilkins—as a “rarely produced tragi-comic-histori-vulgar monstrosity of the Shakespeare canon.” A late and obscure work, “Pericles” tells the story of the eponymous prince of Tyre. According to Meryl H. Federman ’11, producer and president of the Hyperion Shakespeare Company (HSC), Pericles “is the great guy that horrible...
...group in the theater scene here at Harvard. Although the Hasty Pudding tends to steal the spotlight in the spring, the Gilbert and Sullivan Players are one of the foremost G&S troupes in New England, dedicating themselves to cycling through the comic-operas in the Gilbert and Sullivan canon. This spring, the Players are putting on a production of “The Pirates of Penzance,” a wild show of love and swashbucklery first performed...
...attack the new law as arcane and anachronistic. Leading the fray is the advocacy group Atheist Ireland, which in January defiantly published 25 blasphemous statements on its website by figures as diverse as atheist author Richard Dawkins and musicians Frank Zappa and Björk. "This is introducing medieval canon law into a modern pluralist republic," says the group's director, Michael Nugent. "There are other countries that do have blasphemy laws from bygone eras that are on the statute books but not enforced. Ireland is the only Western liberal democracy that is introducing new blasphemy laws in the 21st...
Spanning over 2,000 manuscript pages and four decades of work, the novel’s incompleteness does not undermine the masterful and comprehensive expression of an author whose first novel alone, “Invisible Man,” was enough to vault him into 20th century literary canon. Like “Invisible Man,” Ellison’s unfinished novel addresses the construction of personal, racial, and national identities. The sheer number of voices represented makes this second effort a Faulknerian pinwheel of shifting perspectives. In his notes, Ellison explains that he was attempting...