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...hypnotic depth of these fables is partly due to the fact that they are the product of more than one brain. Indeed, Adventures belongs to an ancient Persian canon of oral literature known as the dastan, which includes popular stories generated, modified and passed down by village elders and royal poets alike. Dastan fables were subject to endless revision, shimmering and shifting depending on who was telling them and who was listening. When a few unnamed storytellers recited their dastan of Amir Hamza to an Indian publisher in 1883, the transcription yielded 46 volumes, each some 1,500 pages...

Author: /time Magazine | Title: Neglected Epic | 11/15/2007 | See Source »

...mostly due to its whirlwind of countless characters and lightning-quick changes of scene. But it does succeed in offering, in Farooqi's words, "a bridge between [Adventures] and the modern world." Non-Urdu-speaking readers can at last appreciate an epic "on par with anything in the Western canon." And, with luck, the classical pantheon populated by indomitable Achilles, cunning Odysseus and righteous King Arthur will now be joined by a new beloved hero: mercurial, mighty Amir Hamza, astride his winged-demon steed, soaring to the heavens...

Author: /time Magazine | Title: Neglected Epic | 11/15/2007 | See Source »

...Start with the source material. Young Frankenstein, Brooks's update of Mary Shelley's horror tale, in which the monster-maker's grandson returns to Transylvania and gets pulled back into the family business, probably has more laughs, and more fondly remembered bits, than any film in the Brooks canon. And Brooks (working again with his Producers writing collaborator Tom Meehan) has faithfully reproduced most of them on stage: Igor and his wandering hump; the steely Frau Blucher, whose very name incites the horses; the monster's visit to the cabin of a kindly blind man who turns into...

Author: /time Magazine | Title: Young Frankenstein: Monster Mashed | 11/9/2007 | See Source »

Minority students may even be less well-versed in the culture of their ethnic group than they are in the study of the Western canon. “During high school, I wasn’t exposed to African-American history to the extent that I would have liked,” says Welton E. Blount ’09, an African-American Linguistics concentrator with a focus on African-American studies. Coles notes that, while he was taught Charles Dickens and Emily Bronte in his high school English class, classic works by African-American writers such as Ralph Ellison...

Author: By Diane J. Choi, CRIMSON STAFF WRITER | Title: Looking in the Mirror? | 10/31/2007 | See Source »

...Department offered a studio course titled VES 40a: “Introduction to Still Photography,” the students might have expected to learn the alchemical process of mixing chemicals in the darkroom to produce their prints. But this year, half of the 20 enrolled students were given Canon Rebel XTI digital cameras instead of the Pentax K1000 film cameras that the other 10 students received. The move, according to teachers, may be controversial, but is necessary. “Before, you would conserve and put all your energy towards that one picture; and now, it?...

Author: By Jenny J. Lee, CONTRIBUTING WRITER | Title: Photo Class Develops In Digital | 10/12/2007 | See Source »

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