Word: canonize
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Dates: during 1950-1959
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British law recognizes divorce; priests of England's state church are thus legally entitled-like other ministers-to remarry divorced people. But if they do, they face a growing current of conservatism within the Church of England. The draft of a canon flatly prohibiting remarriage of the divorced has long been creeping through official Anglican channels on its way to becoming church law, and last month it reached the Convocation of Canterbury. With Parliament the ultimate stop, the Archbishop of Canterbury felt it prudent to raise a warning hand...
...dean of the University of Barcelona's law school, a good chuleta is the mark of an alert student who has pored long and well over his lessons. Citing the exceptional case of a deaf student whose answers were perfect in an oral examination on canon law, Dean Suñer recalls that months later he learned that the lad's ears were as excellent as the grade he got. His hearing aid was actually a chuleta, a two-way phone with a wire running from the student to the back of the large classroom, where an accomplice...
John Austin, whose music is familiar to Harvard audiences, was represented by two sets of pieces: Five Settings of a Locrian chorale, for piano, and Four Modal Canons, for two violins and viola. The first group is not very good; the second, much better. Austin's piano music is an agglomeration of modal progressions, cast in big thick chords insensitively connected. There is nothing particularly cerebral in his style. Little is said. The same applies to the Canons. There-part canon at the unison or octave is difficult to write, since the harmonies during the imitations are somewhat limited...
...Mozart anniversary concert. All but one of the works paled beside the Haydn Mass, but worth hearing anyway. Fleet performances by Laurence Berman and Richard Friedberg of two four-hand piano works, almost as much fun to listen to as to play. Group of pieces by vocal nonet: opening canon pretty insecure, but singers got better as they went along, and the motet Ave Verum came off very well. The celebrated "Dissonant" Quartet suffered at the hands of the Cambridge Quartet from raggedness and faulty violin intonation. If only all the players had been up to 'cellist Charles Forbes...
...exhibited a well-blended tone, from pianissimo to forte, in three of Brahma' Liebeslieder Waltzer. At fortissimo, however, the tone sometimes became a little heavy and unmusical, as in Godiam la Pace from Mozart's Idomenco. Conductor Allan D. Miller trained his singers beautifully for Byrd's three-voice canon Non Nobis Domine; the performance was clear-cut and well balanced...