Word: canonized
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Dates: during 1970-1979
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This, the seventh movie in the James Bond canon (the heretical Casino Royale, which postulated a horde of 007s instead of one, doesn't count), is in some ways the best of the lot. It is by all odds the broadest-which is to say wackiest, not sexiest. Indeed, the ladies of sinister sexuality (Jill St. John, Lana Wood) look like randy and overweight cheerleaders beside the likes of Domino and Pussy Galore. They furnish 007 with a few pleasant pit stops, but the real adventure lies elsewhere...
...with so-called renewal." The son of Polish immigrants in Cleveland, he was a food-store manager, first became interested in the priesthood when he was troubled by his inability to defend the church against the barbs of a Protestant friend. Krol has spent most of his career in canon law classrooms and chancery offices. In a rapid climb of the priestly pyramid, he was ordained at the age of 26, became auxiliary bishop of the Cleveland diocese at 42 and Archbishop of Philadelphia at 50. Now 61, he is healthy and hardworking, yet enjoys relaxing in the sprawling Archdiocesan...
Ukrainian Defiance. More significant than any of the synod's actions was the result of a mail ballot by bishops round the world. It handed a thumping defeat to the proposed text of a church "constitution," a preamble to the new code of canon law. The document, known as the Lex Fundamentalis, had been the target of a sustained assault by progressives because of its emphasis on authoritarian aspects of the church (TIME...
...drastically overhauled Vatican money management by putting it all under one roof for the first time. He has also gradually switched its control from laymen to clergymen. In the 1930s, the Vatican's lay wizards made major gains through speculation in foreign currencies, which is against canon law. Today's Pope wants future church investments to be not only legal but moral, whether or not they are profitable. He has even considered forming a Third World investment syndicate, regardless of the financial return. Meanwhile, for other reasons, Paul is damping a movement that would cost the church untold...
DIRECTED BY JOHN FORD In this piece of lightweight scholarship, Director-Critic Peter Bogdanovich reviews the career of John Ford as if he were anatomizing the canon of Yeats. Ford, director of classic Americana from Stagecoach to The Grapes of Wrath to The Last Hurrah, is an artist of enormous sweep. But he has been guilty of certain venial sins, among them boozy sentimentality and the use of overfamiliar stock characters. In Bogdanovich's eyes every blemish is a virtue, and no detail is too trivial to examine. He traces, for example, the history of a gesture first used...