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...energy that truly attests to the trio’s jazz roots. “Jazz has spread in so many different ways over the course of its existence,” King says. “I feel like we’re part of the jazz canon, because we are improvisers first and foremost.”But jazz isn’t the defining element of The Bad Plus, whose latest album features both original tracks and a number of covers, including renditions of Pink Floyd’s “Comfortably Numb?...

Author: By Susie Y. Kim, CONTRIBUTING WRITER | Title: Bad Plus Adds Diverse Musical Elements to Jazz | 4/2/2009 | See Source »

...however, inspires some mix of either uncomfortable or appreciative emotions. There are a few tracks on the album that are exceptions to the “irritating yet intriguing” rule. “Wet Wings,” which begins within an a capella canon of whiny female voices saying “D-Day is passed and gone,” never leaves the realm of “irritating” and simply dissolves into an incoherent mess of vocal sound, leaving us to wonder if the introduction of vocals was really such a great idea...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Dan Deacon | 4/2/2009 | See Source »

...time of his death, Cheever's lasting fame seemed the safest of safe bets. But 27 years later, his star has dimmed. Bailey says part of the problem is that Cheever's work hasn't been embraced by academics, the gatekeepers of the canon. It might help that the Library of America, which has its own role in picking the immortals, has just admitted Cheever into its canon. In its new two-volume collection of his work, edited by Bailey, you hear Cheever's sly, lambent voice everywhere. Is it true the professors won't make room for him? Open...

Author: /time Magazine | Title: Darkness Visible | 3/26/2009 | See Source »

Agnes Varda, herself a widow, is a French photographer and filmmaker whose work forms part of the canon of French New Wave Cinema. In 2005, Varda directed a documentary on the French island of Noirmoutier, “Quelques Veuves de Noirmoutier,” a series of interviews with widowed women. That same footage, displaced and rearranged, makes up the exhibition at the Sert Gallery. In the gallery context, these encounters become at once personal and jarring, an intimate look at women to whom death has brought not only grief but also a new identity...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Exhibition Explores Widowhood, Home | 3/16/2009 | See Source »

...that “Fuckbook” never really satisfies. Taken on the terms that the band seem to be implying with a name like “Condo Fucks,” however, it’s a delightful, if minor, addition to the broad Yo La Tengo canon.—Staff writer Ryan J. Meehan can be reached at rmeehan@fas.harvard.edu...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Condo Fucks | 3/11/2009 | See Source »

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