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...exploration, the roster of pioneers is largely carved in stone, as it were, even though multiculturalism has taught us to view Christopher Columbus' voyages of discovery somewhat less ecstatically than previous American generations did. Yet in art or music or literature, every age tends to create its own canon of greatness. Fifty years ago, for example, Longfellow and Sir Walter Scott were adjudged model poets; they go virtually unread today...

Author: /time Magazine | Title: Conventional Wisdom | 10/12/1992 | See Source »

...Harvard, the canon still seems to rule the roost--the best Spy could muster was a course on Welsh poetry...

Author: By Tamar A. Shapiro, | Title: DISSECTING THE Mass-Cultural BEAST | 10/10/1992 | See Source »

...when Apple was doing nothing right in that market. The company had priced its best-selling equipment too expensively -- a Macintosh Plus at $2,842 in 1989 had a tag more than 60% higher than the U.S. price. Apple left marketing and distribution exclusively to a subsidiary of Canon, which saw little point in exerting itself on behalf of a lazy American client. Worst of all, Apple had not taught its computers to speak Japanese. In early 1989 only six software programs were available in Japanese, and a computer without software is about as useful as a phonograph without records...

Author: /time Magazine | Title: Byting Japan | 10/5/1992 | See Source »

Much of his greatest work, such as New York City's Guggenheim Museum, is definitively 20th century, yet doesn't fit easily into the standard modernist canon -- Wright's buildings are too craftsmanlike, too exuberant, too strange. Was he the greatest architect of the 19th century (as the young Philip Johnson twittingly called him) or the first great one of the 20th? Even as he was, years ahead of his time, denuding interiors and dreaming up schemes for mass- produced housing, he loathed the new abstract art from its beginning. Johnson planned to include Wright in his epochal 1932 Museum...

Author: /time Magazine | Title: Master Of All He Surveyed | 10/5/1992 | See Source »

...until three centuries after his death, in his ! birthplace in central Italy, the small Emilian city of Cento, in 1967. His rediscovery was due almost entirely to the love and labors of one English art historian, the late Denis Mahon, who wrote the basic texts on him, defined the canon of his work and was probably the last connoisseur to "own" single- handedly a major European artist in this...

Author: /time Magazine | Title: The Vision of The Squinter | 6/29/1992 | See Source »

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