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Chamberlain was not to the Shakespearean canon born. He grew up in Beverly Hills and, out of "sheer uncooperativeness," did not learn to read until the fourth grade. He eventually managed a B.A. from Pomona College, and, after some acting lessons, landed an MGM contract. The studio gave him the Kildare part after passing over 35 others (including Lew Ayres, who created the role in films). It did not, however, make an actor out of him, as Sir Cedric Hardwicke once told Chamberlain. "You're doing it all backwards. You're a star...

Author: /time Magazine | Title: Television: Kildare as Hamlet | 11/16/1970 | See Source »

...backdrop, the portentous music between acts, the stilted acting all stand between this Loeb company and effective communication of Sartre's conception. This does not imply that David Boorstin's production of Dirty Hands misinterprets Sartre; it merely suggests that through slavish efforts at virtuosity within the Old Theatrical canon, these people have denied the goal of effectiveness and missed their audience...

Author: By James M. Lewis, | Title: Theatre Dirty Hands at the Loob, this weekend and next | 11/13/1970 | See Source »

Thomas A. Donovan, Roman Catholic priest in the Diocese of Brooklyn, N.Y., in his thesis, "The Status of the Church in American Civil Law and Canon Law," argues that free religious expression in America (public worship, ecclesiastical property holding, etc.) does not flow from the largesse of the civil order but from divine sanction and radical incompetence of the civil order in this matter...

Author: NO WRITER ATTRIBUTED | Title: Law and the Kingdom, Part I: Cracks in the Wall of Separation | 11/3/1970 | See Source »

...uniform at San Francisco's Manor Plaza Hotel, where he made his nightclub debut playing a drunk. Soon he was hustling laughs in California saloons and slowly filling a loose-leaf notebook (which he still keeps) with his observations on comedy. Cardinal tenets in the Wilson canon: "Be interesting, be impassive, be effortless." Above all: "Make them remember Flip Wilson as a self-confident man of the world, projecting an 'I Don't Care If You Laugh' attitude...

Author: /time Magazine | Title: Television: I Don't Care If You Laugh | 10/19/1970 | See Source »

BOUTON does make an effort to place the game of baseball in a larger social context. According to the owner's canon, baseball is the place where racism, class inequality and other forms of discrimination do not exist. "You're all ball-players and you all put you're pants on one leg at a time." Branch Rickey told the Brooklyn Dodgers before Jackie Robinson broke the color barrier, and of course the ball-players responded with warmth and affection to their new "colored brother." Or so say the sportswriters and owners. Bouton, on the other hand, tells of Elston...

Author: By David Keyser, | Title: Baseball Ball Four | 10/13/1970 | See Source »

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