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...science because it violates the central scientific canon that a theory must, at least in principle, be disprovable. Creationism is not. Any evidence that might be brought--fossil, geological, astronomical--to contradict the idea that the universe is no more than 6,000 years old is simply explained away as false clues deliberately created by God at the very beginning...

Author: /time Magazine | Title: The Real Message of Creationism | 11/22/1999 | See Source »

Today, the latest film from Tim Burton, the mind behind such quirky films as Pee-Wee's Big Adventure and Edward Scissorhands as well as megahits like Batman and Batman Returns releases the latest in his canon, Sleepy Hollow. From the looks of it, the film will fit right in with its freakish characters, dark, imaginative sets and the pervading sense of fantasy that can be found in all of Burton's work...

Author: By Jason F. Clarke, CONTRIBUTING WRITER | Title: Weird, Weird World: A Burton Backtrack | 11/19/1999 | See Source »

...Edward Scissorhands was the first in a trio of Burton's films to be set at Christmastime. It enjoyed moderate success, and remains the most earnest work in Burton's canon. It also forged a relationship between Burton and Johnny Depp, which would eventually lead to their working together on Ed Wood and, ultimately, Sleepy Hollow. In 1992, Burton returned to the familiar Batworld to direct Batman Returns. The story, focusing on Batman's struggle against both the Penguin and Catwoman, starred Keaton again, as well as Danny Devito and Michelle Pfeiffer in the respective villain roles. Though successful...

Author: By Jason F. Clarke, CONTRIBUTING WRITER | Title: Weird, Weird World: A Burton Backtrack | 11/19/1999 | See Source »

...would posit that we cannot be credible critics of any academic discipline, and especially not of its historical canon, unless we first recognize, study and criticize the great flow of scholarship that came before us or our modern critics...

Author: By Jenny E. Heller, | Title: Closing the Door on the Past | 10/26/1999 | See Source »

Then, in his second stage, he couldn't. Even while he was making serious hay as Nike's and Canon's poster boy--"Image Is Everything"--he was hangin' with Barbra Streisand (!), asking Las Vegas to name streets after him, scarfing doughnuts and sagging on court like a sprung net. He dropped to No. 25 in the world and looked to be one kaput wunderkind...

Author: /time Magazine | Title: U.S. Open: The Many Faces Of Agassi | 9/6/1999 | See Source »

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