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...17th century-under the influence of Rubens and Bernini-demanded more intricate, twisting, rearing, active poses for the horse in art did the pervasive influence of these creatures decline. Yet even then it was soon to be revived in the 18th century by the great Venetian neoclassicist Antonio Canova...

Author: /time Magazine | Title: Art: Thoroughbreds from Venice | 3/10/1980 | See Source »

...antiquity and the Renaissance, Equus seen as a symbol of the transactions between nature and culture. The show also demonstrates how the influence of the animals in Venice has survived for more than seven centuries, in copies, studies, models and full-scale figures ranging from medieval miniatures to Antonio Canova's design for a monument to George Washington...

Author: /time Magazine | Title: Art: Thoroughbreds from Venice | 3/10/1980 | See Source »

Instructive Figure. He studied landscape design and was a botanist. He was also one of the first foreigners to discern, as minister to France in the 1780s, the challenging merits of new artists like Jacques Louis David and Antonio Canova. "I do not feel an interest in any pencil but that of David," he wrote in a flush of enthusiasm. Jefferson became the first American to transcend the cultural provinciality of his own land, moving with some ease between the New World and the Old. Even if he had had no political life, he would on that ground alone have...

Author: /time Magazine | Title: Art: Jefferson: Taste of The Founder | 7/12/1976 | See Source »

...lofty Great Hall of Manhattan's Metropolitan Museum of Art last week appeared a newly acquired, exquisitely graceful, 7-ft. white marble statue of the mythical Perseus victoriously displaying the severed head of the Gorgon Medusa. It was completed in 1808 by the neoclassical Italian sculptor Antonio Canova. In its first week atop its pedestal, it drew gasps of admiration from some. Others responded to its supersubtle softness and delicacy much as did the poet Keats when shown Canova's half-nude statue of Pauline Bonaparte, Napoleon's sister. Sniffed Keats: "Beautiful bad taste...

Author: /time Magazine | Title: Museums: Marble for the Met | 9/15/1967 | See Source »

...Canova, one of the most celebrated sculptors of his day, known as "the new Phidias," had carved an earlier Perseus for a Milanese nobleman at his atelier in Rome. It was inspired by the celebrated 1st century Roman marble of Apollo Belvedere, which had recently been carried off from the Vatican by invading French soldiers. Pope Pius VII liked the new Canova so much that the Roman authorities refused to grant an export permit, and it was bought for the Vatican where it now stands. (The Apollo was also returned.) A Polish countess, Valeria Tarnowska, then commissioned a second Perseus...

Author: /time Magazine | Title: Museums: Marble for the Met | 9/15/1967 | See Source »

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