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Christmas Cantata (Mon. 10:30 p.m., NBC). World premiere of Arthur Honegger's new work, with the Los Angeles Symphonic Chorus...

Author: /time Magazine | Title: TELEVISION: Program Preview, Dec. 19, 1955 | 12/19/1955 | See Source »

Honegger: A Christmas Cantata (Michel Roux; Lamoureux Orchestra, choirs and organ conducted by Paul Sacher; Epic). A pacing, brooding opening chorus wells up to a shrieking appeal to the Saviour. After that, the music carries on with more competence than excitement, but it does weave in several Christmas carols (sung in their original languages by children) to make a big, festive impression. A typical work by the first member of France's famed...

Author: /time Magazine | Title: Music: Composer Jean Sibelius, Nature Boy at 90 | 12/12/1955 | See Source »

...voices had changed, wore long pants), switched to white robes for sacred songs. They performed both with easy professionalism. Led by greying, bearlike Monsignor Fernand Maillet, 59, they bubbled with lighthearted precision in such frolics as Frère Jacques and Alouette, brilliantly worked their way through a difficult cantata written for them by Darius Milhaud, and spun out an incredibly pure, otherworldly tone in the age-old Gregorian chant, Tenebrae Factae Sunt...

Author: /time Magazine | Title: Music: Junior Invasion | 10/10/1955 | See Source »

...Sessions is getting played in spite of this attitude: his lurid suite from The Black Maskers was performed this season by the Boston Symphony and is scheduled to be played at Tanglewood, where he will teach composition this summer. He also has four recent commissions: a solo cantata, The Idyll of Theocritus (Louisville Orchestra); Symphony No. 3 (Boston Symphony); a Piano Concerto (Juilliard School) and an Anglican Mass (for Kent School...

Author: /time Magazine | Title: Music: Lucullan Feast | 5/9/1955 | See Source »

...performance of Bach's Cantata N. 21 relied heavily on sheer volume to make its effect, but did great credit to the leadership of conductor Michael Greenebaum. From an organizational standpoint alone, the cantata is a huge undertaking; Greenebaum succeeded in offering both a well-rehearsed ensemble and a measure of interpretive continuity. He was especially fortunate in soprano soloist Jean Lunn. To her customary refinement of diction and gifted insight into the music as a whole. But her singing and a few instrumental solos were the only high spots. The chorus sang with colorless tone and indifferent diction most...

Author: By Robert M. Simon, | Title: The Bach Society | 4/20/1955 | See Source »

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