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...myself, 'Why. that sounds like a shrimp.'" Twelve-year-old Susan's tune promptly became Minuet of the Shrimp, one of 300 tunes, poems, dances submitted by 60 sixth-grade pupils of Cincinnati's suburban North Avondale Public School for inclusion in a group cantata, a sweeping experiment at musical education. Last week they had the thrill of performing their work with a professional symphony orchestra. The project began a year ago, when the Cincinnati Symphony played at one of its popular children's concerts a cantata called Moon Rocket, a musical trip...

Author: /time Magazine | Title: Music: The Young Composers | 4/2/1956 | See Source »

...performance last week an inflated nine-foot lobster and a cardboard octopus of grand design decorated the stage of Cincinnati's Music Hall as schoolchildren and proud parents filed in to hear the Cincinnati Symphony do Sea Secrets, a Cantata for Speakers, Chorus and Orchestra...

Author: /time Magazine | Title: Music: The Young Composers | 4/2/1956 | See Source »

...high-fidelity tape recordings of the concerts, he can sit in his acoustically draped office and hear true reproductions of the music on TIME'S new hi-fi and binaural Magnecorder. Harman is delighted with the results. Recently, unable to attend the premiere of Roger Sessions' new cantata, played by the Louisville Orchestra, he was still able to hear and review the work of his old Princeton teacher (TIME...

Author: /time Magazine | Title: Publisher's Letter, Feb. 27, 1956 | 2/27/1956 | See Source »

When a composition by Roger Sessions is played, it is a major event. Reason: his music is so imposing and complex that few orchestras dare to try it. But this season. Composer Sessions, 59, unveils four major new works in a row: 1) a cantata; 2) a Mass, to be performed at Kent School, Conn.; 3) a piano concerto, to be played at Manhattan's Juilliard School of Music next month; 4) a symphony, his third, which the Boston Symphony Orchestra expects to play in March. The Louisville Orchestra, under Robert Whitney, premiered the cantata-really a solo aria...

Author: /time Magazine | Title: Music: Masterpiece in Louisville? | 1/30/1956 | See Source »

...Bach Cantata lithographs from these early years reveal the characteristic features of Kokoschka's style. They are animated and mysterious, expressing the artist's belief that "man is a magical thing, full of magical powers." Every line has meaning--the intersecting lines of force and the curling gestures create a mood of tension. A self-portrait in this series, similar to one owned by the Museum of Modern Art, shows Kokoschka pointing to his chest. He considers this portrait prophetic, since he was wounded in this spot a few years later during the first World...

Author: By Lowell J. Rubin, | Title: From Kokoschka to Jennerjahn | 1/25/1956 | See Source »

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