Word: cante
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Dates: during 1960-1969
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...breeding.) Lank and long-striding in his pale blue bib overalls, his sightless eyes gleaming under a faded brown fedora, Eb stalks his 52 hillside acres mending fences with the assurance of a man born to the slope. His four-room tar-papered house perches on a 45-degree cant with the same defiant certitude. With his wife Louise (pronounced Looeyes, hill style) and five children ? two of them his own, two nieces, and a grandchild ? Eb Herald survives the year in comparative comfort...
...thinking and talking (and I think it's close enough), then Dylan's mind is always popping with the same kind of surreal and often religious imagery that he strings together in his songs. And his desire to find out only what's true and his rabid hate for cant are sincere. The message is that Dylan's a bookish intellectual who thinks to melodies and casts his ideas in scenes. The message is that Dylan is great media because he writes songs as his natural outlet of expression about things he's thinking about because...
Throughout the play Friedman lances pet hates with an ardor so indiscriminate as to seem bracingly honest. The air is unfogged by any pious cant about brotherly love as he tongue-twits Jews, Negroes, Babbitts, Frenchmen, Chinese, Yugoslavs, white liberals, black militants, wives, husbands, thieves and psychiatrists. From this last and presumably lowest shelf of humanity, the playwright produces a fatuously brain-shrunk specimen who brings his patient-paramour to the chateau. She in turn treats Manhattan's theatergoers to the sight of their first topless actress, but it must ungallantly be recorded that the lady's mammaries...
...same, Author Mayer has come away with more faith in the law than many lawyers. Says he: "The rest of us put up with the arrogance of the lawyers-accept their, rigidities, their partial perceptions, their occasional corruption, their portentous self-praise, their cant, their infernal waste of time -not because we care about the niceties or even the creative accomplishments of the legal system, but because we sense, we hope,' that the law seeks justice...
Unfortunately, he cops out on the answers, leaving us with one handful of medieval cant and another of contrived happy endings. Shakespeare ends the play, but he never really resolves it. To Shakespeare's sophistry, Timothy Mayer has added gimmickry and faddistry, carefully avoiding the problem of how to clarify and dramatize the play's hard theological core. Putting the play and the characters in modern dress has its dividends. Angelo gets a laugh when he says "Call him hither" into an intercom, and Lucio gets one when he lights his cigarette with a votive lamp. In short, Mayer...