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...anthology does not hide Belloc's often absurd fixations. But it does reveal a writer of rare genius and rarer virtues, who had a Romanic love of order, ceremony and pietas, a raging contempt for humbug, snobbism and cant, an adult gusto and a childlike faith, an unerring eye for the telling detail of a life or a landscape, and a blunt, stately, crisp and virile style...

Author: /time Magazine | Title: Books: Notable: | 11/16/1970 | See Source »

Political rhetoric tends to achieve a life of its own, congealing into cant and conventional wisdom, an unexamined shorthand. In a forthcoming book, The Real Majority (Coward-McCann Inc.; $7.95), Political Analysts Richard Scammon and Ben J. Wattenberg take a canny inventory of the nation's political assumptions and vocabulary. They conclude that some of the preconceptions of both Democrats and Republicans need a fresh going over...

Author: /time Magazine | Title: Opinion: The Real Majority | 8/31/1970 | See Source »

Carry It On is not only a love story. The Harrises give the film considerable ideological intensity. Even those who violently disagree with them will find their conversation refreshingly free of cant and full of infectious urgency. The movie may not convert doubters, but it may well make them turn their doubt, however briefly, upon themselves...

Author: /time Magazine | Title: Cinema: Something More Than Love | 8/24/1970 | See Source »

Therapy Workshop. Many of Orton's jokes are the kind told in mixed company only after several drinks. But the man had a machine-gun wit that he leveled on pomposities, pretensions and do-good liberal cant of any kind. Sample burst of fire: Mrs. Prentice: "What's Miss Barclay doing in the therapy workshop?" Dr. Prentice: "She's making white tar babies for sale in color-prejudice trouble spots...

Author: /time Magazine | Title: Theater: Laughtime in Bedlam | 5/18/1970 | See Source »

...less than two hours it provides an anthology of liberal cant bound in a dust jacket of selfesteem. Lord Byron Jones (Roscoe Lee Browne) is a wealthy undertaker with two sources of shame: his skin, which is black, and his wife (Lola Falana), who has been carrying on with a white policeman (Anthony Zerbe). Jones discards his cowardice and sues for divorce-a maneuver designed to expose the sinners and, incidentally, the hypocrisy of the state of Tennessee. Jones' "liberation" is his murder, but along the way he frees his brethren and damns the Old South, as presented...

Author: /time Magazine | Title: Cinema: Anti-Personnel Weapon | 3/23/1970 | See Source »

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