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While acknowledging that District 65 "is free under the National Labor Relations Act to try to organize," Daniel D. Cantor, director of personnel, says he is uncertain whether the introduction of a union in the Med Area would be productive...

Author: By Laurence S. Grafstein, | Title: University, District 65 Brace For Long Recognition Struggle | 7/4/1980 | See Source »

...Anne Clarke makes a vapidly cruel Regan but they remain one-dimensional. James Bundy plays Kent with remarkable sincerity but his brawl with Oswald (a surprisingly meaty role in the hands of David Prum) sinks to absurdity. Mathew Horsman and Judah Mandlebaum labor with Albany and Cornwall and Max Cantor skates onstage intermittently as the court's errand...

Author: By David Frankel, | Title: A Tragedy of Excess | 2/29/1980 | See Source »

...Side and left school early. From his Neapolitan mother, he inherited his legendary nose. From his French-Italian father, a barber, he got the encouragement to study the piano. By age 17, "Ragtime Jimmy" was performing in saloons from Coney Island to Chinatown, with a singing waiter named Eddie Cantor...

Author: /time Magazine | Title: Show Business: A King of Vaudeville | 2/11/1980 | See Source »

...mitzvah in Atlantic City, especially since the coming-of-age ceremony was his own. The comedian, now 73, somehow missed being confirmed 60 years ago. Rabbi Seymour Rosen was delighted to go to the gambling casino where Youngman was appearing to correct the oversight, and Tenor Jan Peerce was cantor. "Today," cracked Youngman, after reading his prescribed prayers in phonetic Hebrew, "I am a boy." Years ago, he insisted, "you got a fountain pen when you were bar mitzvahed. Now you get a computer." But the punch lines were watered with tears when the new kid in town tried...

Author: /time Magazine | Title: People, Jan. 28, 1980 | 1/28/1980 | See Source »

...moments of emotional excess aren't its best, and the Loeb cast is strong precisely where the script is strong: situational comedy. The first act drags a bit, but both second and third build to those frenzied, crowded scenes into which Kaufman is always tossing one more character. Both Cantor and Sam Samuels as Wolfe, the family's agent, have a knack for comic timing, and Wilber drops off-hand insults like time-bombs. Jeffrey Horwitz and Mario Aieta, as the men in the actress's lives who are forever barred from understanding their calling, receive no help from...

Author: By Scott A. Rosenberg, | Title: Family Entertainment | 12/4/1979 | See Source »

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