Word: cantos
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Dates: during 1960-1969
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...votes needed for necessary domestic reforms (TIME, Feb. 9). But many left-wingers predict gloomily that Nenni will become a hostage of the right, while conservatives fear that Fanfani will become a hostage of the left. Rome's coffeehouse commentators accurately described the Fanfani-Nenni coalition as a canto connubio-a cautious marriage...
...group come to the public equipped with the same technique or bearing the same musical gifts. The Sutherland fans fortunate enough to crowd into the Met last week heard and witnessed the best modern demonstration of bel canto singing-which has come to mean the florid, highly ornamented vocal style that almost became extinct a century ago. Sutherland, 35, has brought new life to bel canto. Says she, in her breezy Australian style: "I love all those demented old dames of the old operas." The attraction is understandable, for Sutherland has just the voice to do the old dames justice...
...Sydney-born, the daughter of a tailor, she concentrated at first on Wagnerian roles because "I had the build for it" (she stood 5 ft. 9 in., weighed 224 Ibs., now weighs 170). Eventually, on the advice of her husband, Australian Pianist Richard Bonynge, she decided that the bel canto repertory was where she belonged. She put in seven years at Covent Garden while developing the voice that would lead...
...Answer. After his fitful, feverish life, Pound is not resting. He lives in his son-in-law's medieval castle in the Italian Alps, completed Canto No.111 last Christmas, and hopes to push the count to 120. Apart from romping with his grandchildren, he fires Menckenesque letters around the world, and his talk, as he once said, is still "like an explosion in an art museum." He is scarcely a hero, but as minister without portfolio of the arts he has served more gallantly than most, and he has never had any truck with "the almost-good...
...heeded the advice of her Australian pianist husband, Richard Bonynge, began concentrating on coloratura parts and on the little-performed 18th century Italian bel canto repertory. Now, on the living-room wall of her Kensington home, Soprano Sutherland has a picture of one of her idols: Singer Elizabeth Weichsel Billington, reputedly the mistress of George IV, who almost singlehanded brought bel canto opera to popularity in England in the early 18th century. Joan Sutherland sees no reason why she cannot perform the same service in the 20th century. "I will be happy," says she, "if I can just sing...