Word: cantos
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Dates: during 1970-1979
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...Bolena; and more recently, Bellini's / Puritani. Vocal fireworks are Sills' glory. She has a light, lyric coloratura so clear and swift that it seems phosphorescent. Though she is the best Manon around, her trademark has become the revival of obscure operas of the 19th century bel canto...
...Sills herself. Last week she did, in a way that should silence doubters and suggest to everyone else that she will go on singing for at least another ten years. At the New York City Opera, Sills took aim at one of the toughest operas in all bel canto, Vincenzo Bellini's I Puritani. When she was done, Bellini was on his knees, the capacity audience at the New York State Theater on its feet for a long ovation. In post-World War II productions of Puritani, only Maria Callas has achieved anything to equal Sills' limpid coloration...
...great gold curtain finally rose for the first act of Bolena, Sills' nightie (successfully rosied) hung in her dressing room, and all, incredibly, was in place on time, ready to be admired. Not given a major New York stage production since 1850, Anna Bolena is a bel canto curio revived to enable Sills to complete her long-planned and justly famed Donizetti trilogy. As with the other queens of the Tudor era, Elizabeth I in Roberto Devereux and the Queen of Scots in Maria Stuarda, Sills proves again that she is a singing actress without peer. Stage Director Tito...
Even Latin Americans who challenged his political views found it hard to quarrel with the honor. In such works as the surrealistic poem cycle Residence on Earth, and the massive Canto General, an epic on the origin of the Amer icas, he proved himself to be the continent's most creative and authentic literary voice. In one of its best-known sections, The United Fruit Co., he mockingly writes of "Jehovah" parceling out the universe to "Coca-Cola, Inc., Anaconda, Ford Motors, and other entities," while the United Fruit Co. "reserved for itself: the heartland/ And coasts...
...where he served for four years. In 1948, unwilling to refrain from criticizing an American-supported dictator, Neruda was forced to go underground. For several months miners and working people helped him evade the Secret Police, passing him from house to house. With him, Neruda carried the manuscript of Canto General...