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...three madrigals were Thomas Morley's "Phyllis I fain would die now," Mein Schifflein lief in wilden Meer by Johann Schein, and the two-part madrigal Altri canti di Marte by Claudio Monteverdi. They were sung under the direction of Mr. Schmidt by the Chamber Chorus. The Chamber Chorus, which is made up of a small portion of the Summer School Chorus, produces an over-all sound which, while generally excellent, sometimes becomes a bit too rich and developed to permit the listener to savor the true flavor of this type of music. The actual interpretation of the music -- balancing...

Author: By Daniel P. Gannon, | Title: Summer Chorus | 8/23/1966 | See Source »

...batch of madrigali, scherzi musicali, and canti amorosi by Claudio Monteverdi supplied the musical fun of the program. The vocal ensemble, especially tenori and bassi (as the printed program would have it), were in fine voice...

Author: By Joel E. Cohen, | Title: Nadia Boulanger | 4/16/1962 | See Source »

...toughest town in Brazil is grimy, industrial Caxias (pop. 136,000), on the outskirts of Rio de Janeiro. Its political boss is Federal Deputy Tenorio Caval-canti, who sports a beard, a flowing cape, a revolver, a bulletproof vest and 47 wounds from various shooting scrapes. He owns real estate, a newspaper and a steel-gated house, and he has boasted that he could hold it against a siege. One morning last week while Tenorio was away, 200 troops rolled up in armored trucks, with bazookas and machine guns, and cracked the fort without a shot. Tenorio's henchmen...

Author: /time Magazine | Title: BRAZIL: Army Warning | 7/29/1957 | See Source »

...sound engineers to stop the recording. Then she helped Conductor Franco Ferrara to a chair, plied him with black coffee. Ten minutes later he rapped the Santa Cecilia Orchestra of Rome to silence, led them the rest of the way through a singing recording of Ildebrando Pizzetti's Canti della Stagione Alta...

Author: /time Magazine | Title: Music: The Fainting Maestro | 7/16/1956 | See Source »

Dallapiccola: Canti di Prigionia (St. Cecilia Academy Chorus and Orchestra conducted by Igor Markevich; Angel). Italy's most important composer, Luigi Dallapiccola, admires both Schoenberg's twelve-tone system and Palestrina's pure, polished polyphony, and these long, suppliant "songs of prison" combine some interesting aspects of both...

Author: /time Magazine | Title: Music: New Records, Apr. 30, 1956 | 4/30/1956 | See Source »

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