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Painting by numbers is not particularly taxing. The canvas comes prepainted, and a neat if unimaginative work is guaranteed. Nicholas Delbanco '63 has made literature by the numbers with his new book Old Scores. The prefab plot of star-crossed love between teacher and student serves as his canvas, but...

Author: By Elizabeth A. Murphy, CONTRIBUTING WRITER | Title: Not Like That Book by Nabokov: 'Scores' Less of a Draw, More a Loss | 10/24/1997 | See Source »

...first half of the exhibition we find canvases which provide an almost text-book example of an artist struggling to develop his own style. He begins with rather academic work, the most interesting of which are his two self portraits from 1896 and 1897. In the earlier of these paintings, we see a young man in three-quarter profile looking out at us from beneath the shadow of his dark, unkempt, hair. Energetic brushstrokes define the facial features while his body melts off the canvas in a blur of brown. Yet despite the temerity of Picasso's mark making...

Author: By Scott Rothkopf, CRIMSON STAFF WRITER | Title: Portrait of a Cubist as a Young Man | 10/10/1997 | See Source »

This mingling of doubt and confidence persists as the exhibition progresses. We find a certain stylistic assurance within each painting, but not among the works as a whole. It's almost as if Picasso tries on a style and buys it completely until he finishes a painting only to abandon...

Author: By Scott Rothkopf, CRIMSON STAFF WRITER | Title: Portrait of a Cubist as a Young Man | 10/10/1997 | See Source »

A second link among the paintings before 1901 is the developing tension between the projected space of the image and the actual surface of the canvas or picture plane. Like the Impressionists before him, Picasso applies paint thickly on the canvas, drawing attention to the fact that a painting is...

Author: By Scott Rothkopf, CRIMSON STAFF WRITER | Title: Portrait of a Cubist as a Young Man | 10/10/1997 | See Source »

Often details in his paintings seem to jump out at us, rather than remaining obediently where they should. For example, the red hat band in "On the Upper Deck," looks as though it is sitting on the surface of the canvas as opposed to on the hat in the image...

Author: By Scott Rothkopf, CRIMSON STAFF WRITER | Title: Portrait of a Cubist as a Young Man | 10/10/1997 | See Source »

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