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The larger pieces in the exhibition are more ambitious in what they attempt to achieve. Elllsworth Kelly's enormous triptych, Dark Gray, White, Gray (1980) builds on Kline's ideas of figure and ground. Here, the paintings themselves become part of a larger painting, with the wall of the room...

Author: By Mark Roybal, | Title: Significant `Shades' | 1/21/1994 | See Source »

Organized by Janet Echelman '87, an instructor at the Graduate School of Design, and Adams House resident David E. Reich '96, the canvas mural was conceived as a piece of "collaborative art work, open to people to paint whatever theme they want to," said Echelman, who also serves as the...

Author: By Todd F. Braunstein, | Title: Students Paint Wall Mural | 1/14/1994 | See Source »

Echelman approached Reich, and they applied for and received a $300 Kahn Grant for acrylic paints and canvas from the Harvard-Radcliffe Office of the Arts.

Author: By Todd F. Braunstein, | Title: Students Paint Wall Mural | 1/14/1994 | See Source »

The film is very much like a painting; when the man is sitting in the drawing room at the beginning of his arrival, the camera follows his gaze around the room, much as our eyes would be led across a canvas of an impressionist work. The pastels of the women...

Author: By Deborah E. Kopald, | Title: A Fatal Attraction | 11/11/1993 | See Source »

You can't imagine people asking themselves with bated breath, "What will Lichtenstein do next?" You know the answer, although the exact image he will do it to is as yet unknown. It will be done very well, probably on a huge canvas, with perfect decorum and an unfaltering sense...

Author: /time Magazine | Title: The Image Duplicator | 11/8/1993 | See Source »

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