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For example, the four works of China Forbes, are troubled by the rift. One painting, "Dead Leaves," is an interesting idea--Forbes assembles painted leaves upon a canvas. Closer attention to arrangement and the use of color would do the idea more justice. As the work stands, the colors are...

Author: By Suzanne PETREN Moritz, | Title: Mixed Media, Messages, and Student Success | 4/20/1990 | See Source »

Stone. Bronze. Oil on canvas. This is the durable stuff that heavy-duty art history is made of. For more than three decades, however, Jean-Michel Folon has taken on serious, humanistic themes with no more than delicate whispers of watercolor on paper. His skill and inventiveness have made him...

Author: /time Magazine | Title: Art: Where Fantasy Teases Reality | 4/16/1990 | See Source »

At most, only two of the works stolen from the slightly frayed but beloved museum, built as a re-creation of a Venetian palace in 1903, have real significance in art history. Rembrandt's Storm on the Sea of Galilee is his only seapiece, and the Vermeer Concert is, well...

Author: /time Magazine | Title: Art: A Boston Theft ReflectsThe Art World's Turmoil | 4/2/1990 | See Source »

Brookner, who is often compared with Henry James and Barbara Pym, has written better novels. Her best works juxtapose exquisitely etched character miniatures against a larger canvas. In Family and Friends (1985) and Latecomers (1989), her protagonists interact with small gestures in narrow worlds, but in the background World War...

Author: /time Magazine | Title: Books: Quixotic Quest | 3/19/1990 | See Source »

Things firm up toward the '80s. The picture that changed Moskowitz's style was Swimmer, 1977, a canvas bearing the head and raised arm of a figure in the sea. This figure is quite an abstract form, and it is embedded, heraldically, in a dark field of Prussian blue. From...

Author: /time Magazine | Title: Art: Zen And Perceptual Hiccups | 3/12/1990 | See Source »

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