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The 24-year-old Frankenthaler painted it after a trip to Nova Scotia, whose coast is plainly visible in it: the pine-forested mountains and humpy boulders, the dramatic horizontal blue. It was made flat on the floor, like a Pollock, and records the influence of Cezanne's watercolors, as...

Author: /time Magazine | Title: Art: A Love of Spontaneous Gesture | 6/12/1989 | See Source »

Nor did she shy away from declaring her responses to other and older paintings. Las Mayas, 1958, is a very loose translation of a Goya, turned upside down. Winter Hunt, 1958, in which a fox with pricked ears and pointed muzzle makes a now-you-see-me-now-you-don...

Author: /time Magazine | Title: Art: A Love of Spontaneous Gesture | 6/12/1989 | See Source »

A complicated artist, then, and an original one, but not without her limitations either. Frankenthaler's forte has always been controlling space with color, vigilantly monitoring the exact recession of a blue or the jump of a yellow, the imbricated weight of a dark area against the open glare of...

Author: /time Magazine | Title: Art: A Love of Spontaneous Gesture | 6/12/1989 | See Source »

Behind the street theater, though, a profound seriousness pervaded Tiananmen, born of the knowledge that people were prepared to die for democracy. Construction workers and medical volunteers erected a makeshift clinic, using scaffolding and canvas, as doctors and nurses ministered to the hunger strikers, some of whom had sworn off...

Author: /time Magazine | Title: China: State of Siege | 5/29/1989 | See Source »

He is, by Washington standards, a little strange. First, there is the uniform draped with gold braid he insists on wearing. Before he became famous, it prompted people at airports to pile him with baggage and ask what time the flight was leaving. Then there is the big, clunky hearing...

Author: /time Magazine | Title: A Doctor Prescribes Hard Truth: C. EVERETT KOOP | 4/24/1989 | See Source »

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