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The Madness of King George spreads its story on a broad canvas: the court of a troubled King who is seized by what seems to be dementia. As George III (Hawthorne) loses control, the foppish Prince of Wales (Rupert Everett) plots to seize the throne, while Prime Minister William Pitt...

Author: /time Magazine | Title: BARD OF EMBARRASSMENT | 2/27/1995 | See Source »

Some of the most striking representations of a sterilized or blurred. Michel Dector and Michel Dupuy's joint contribution, Drancy (1994), is a segmented white canvas with a smeared, irregular blot faded into its surface. Suggestive at first glance of a stain beneath the skin, good and evil blurred, it...

Author: By Natasha Wimmer, | Title: ICA Holocaust Show Leaves Viewer Cold | 2/9/1995 | See Source »

His black-and-white style was a real invention, but its roots are not hard to see. If one was illustration, another was the black-and-white paintings of de Kooning in the late '40s. An early Kline like Ninth Street, 1951, with its traces of looping body shapes, makes...

Author: /time Magazine | Title: ART: The Man Who Painted IMPACT | 1/23/1995 | See Source »

Sometimes the speed of the brush is important -- it leaves frayed edges, something like the speed lines in cartoons, but in other paintings, like the impressive Wotan, 1950, nothing moves or is meant to. The big rectangle anchored by one edge to the top of the canvas has a massive...

Author: /time Magazine | Title: ART: The Man Who Painted IMPACT | 1/23/1995 | See Source »

All through this show one catches such premonitory notes, and one realizes what a big submerged effect Kline must have had on some of the better artists now alive: Richard Serra, for instance, whose dark walls of steel and thickly scrubbed-on black-crayon drawings evoke the same urban-industrial...

Author: /time Magazine | Title: ART: The Man Who Painted IMPACT | 1/23/1995 | See Source »

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