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Crunching Hook. Aware that he was way ahead on points, Ali coasted through the late rounds until a few of the fans began booing and filing out of the Garden. They should have stayed. In the final round, Ali caught Oscar with a crunching left hook to the jaw that...

Author: /time Magazine | Title: Sport: Two Down, One to Go | 12/21/1970 | See Source »

The show in Los Angeles was organized by Art Historian Douglas Cooper, a major collector and close friend of Picasso, Braque and Leger. The movement, he argues, aimed to restore reality to art, to discover a way of representing "the solid tangible reality" of things. This sense of reality and...

Author: /time Magazine | Title: Art: Patrons and Roped Climbers | 12/14/1970 | See Source »

It was, in a sense, a limbering-up exercise. When Diego Velásquez was living in Rome in 1649, he was summoned to paint the portrait of Pope Innocent X. The artist was out of practice; he had done no heads for some years. So, to get his hand...

Author: /time Magazine | Title: Art: Highest Ever | 12/7/1970 | See Source »

Finally, Professor Lipset's view of historical cycles is, of course, none too eccentric a view of history: Plato, Polybius, Machiavelli, Vico, Spengler form an impressive pedigree. He need not even be too cautious in predicting when the next conservative cycle will dawn. After all, Plato-boldly and rather sensibly...

Author: By Azinna Nwafor, | Title: And Yet-It Moves | 12/4/1970 | See Source »

Cold Shower. Bridget Riley's paintings are nearly always made of such a formal unit-dot or stripe or ellipse-repeated and multiplied with tiny changes of position, tone or color. Through repetition, the force builds up. Then it peaks, like a laser emitting its stored energy in one...

Author: /time Magazine | Title: Art: Perilous Equilibrium | 11/16/1970 | See Source »

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